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Near Miacatlan on a tour of Mexico with his fiancée, Ellen Mary Byron Gloor of Manhattan, Otto Kym came upon Miss Gloor struggling in the arms of their native chauffeur, Aloises Lopez. Kym focused his movie camera, shot the scene, turned Lopez and the film over to police...

Author: /time Magazine | Title: Miscellany: TIME brings all things | 6/3/1935 | See Source »

...Ruskin Prize of $50 for the best essay on the life, work, or interests of John Ruskin was given to John M. Pratt 8G of Cambridge for an essay, "Ruskin--Disciple and Defender of Byron...

Author: NO WRITER ATTRIBUTED | Title: ESSAY ON ROBERT FROST CAPTURES BELL PRIZE | 5/29/1935 | See Source »

...story, told as a cutback from the recital of Mary Shelley herself, who tells it to her husband (Douglas Walton) and Lord Byron (Gavin Gordon), has none of the hangdog air that one expects in sequels. Screenwriters Hurlbut & Balderston and Director James Whale have given it the macabre intensity proper to all good horror pieces, but have substituted a queer kind of mechanistic pathos for the sheer evil that was Frankenstein. Henry VIII had enough wives to make four screen stars. Elsa Lanchester is the latest to gain stellar fame in Hollywood, having had the way paved...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 29, 1935 | 4/29/1935 | See Source »

...chief country during the Romantic movement, England produced (always excepting Rousseau) the most tearful sentimentalists like Sterne, who, had Russian imitators, and the most energetic poseurs like Byron, traces of whose stock-in-trade are discoverable in Lermontov and in the great Puslakin. Through the Waverly Novels, Scott gave an impetus to Russian historical fiction which can hardly be exaggerated. "After Byron," says Dr. Simmons, "no figure in English literature caught the popular imagination or won the devotion of Russian writers to the same extent, influences continued to be sure, but they were of a superficial and passing nature. Russia...

Author: By W. E. H., | Title: The Crimson Bookshelf | 4/11/1935 | See Source »

...Byron, Romantic Paradox," is a defense of the man as an artist who "knew what he was doing and why." It forms a stimulating and novel approach, a treatment equally without impudence and undue awe of the glamorous genius who today is commonly either relentlessly attacked or blindly upheld...

Author: By A. C. B., | Title: The Crimson Bookshelf | 3/27/1935 | See Source »

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