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Born. To James Caan, 37, street-smart superstar (The Godfather, The Gambler), and former Model Sheila Ryan Caan, 23: their first child, a son; in Los Angeles. Name: Scott Andrew...

Author: /time Magazine | Title: Milestones, Sep. 6, 1976 | 9/6/1976 | See Source »

...scenario might go like this: a hostage who looks amazingly like Shelley Winters searches the sky above Entebbe Airport. "Only a miracle can save us," she says, "and miracles only happen in the Bible." Cut to a tough, determined James Caan briefing his men for the rescue. "Our mission," he intones, "is impossible. But we dare not fail...

Author: /time Magazine | Title: Show Business: Entebbe Derby | 7/26/1976 | See Source »

...unholy trio hits the well-manicured streets of Beverly Hills, struggling to recruit the likes of Paul Newman, Anne Bancroft, James Caan, Liza Minnelli and Burt Reynolds, the studio chief stews in his office, combatting a takeover by a notoriously ruthless conglomerate called Engulf and Devour...

Author: /time Magazine | Title: Cinema: Mum's the Word | 7/12/1976 | See Source »

Movies like this are the price audiences have to pay for liking The Sting. Harry (James Caan) and Walter (Elliott Gould) are bumptious turn-of-the-century vaudevillians with more talent for stealing the customers' wallets than for stealing the show. Offstage they drink out of the finger bowls at posh restaurants, swat each other with their hats a la Laurel and Hardy and cause everything they touch to blow up in their faces, from a bottle of champagne to a vial of nitroglycerin. "They're not oafs," someone says of them. "They would require practice to become...

Author: /time Magazine | Title: Cinema: Sowing Wild Oafs | 7/12/1976 | See Source »

...real quest of both sets of thieves is for some spark of genuine humor amid all these outrageous contrivances. The screenplay is little help. It keeps turning up yokel lines like, "Paris - that's near Europe and Asia." Caan and Gould fall back on a series of frantic semaphores to the audience, calling attention to how adorably prankish they are being. Director Mark Rydell's notion of how to give shape to a scene apparently is to make it louder and faster. This does produce an occasional laugh, just as somebody pounding a piano with a baseball...

Author: /time Magazine | Title: Cinema: Sowing Wild Oafs | 7/12/1976 | See Source »

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