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MANY OF the performers and producers behind last spring's stellar production of Ain't Misbehavin' are also behind this production of Sweeney Todd. It's a big jump from the easy-going, cabaret-like, no-frills intimacy of the former to the moody, sprawling spectacle of the latter, but Director Brenda Walker and company pull...

Author: By Gary L. Susman, | Title: A Cut Above | 12/11/1987 | See Source »

Other students run through lines from Cabaret Sauvignon, a "presentation of Cabaret selections from the Stone Age to the present," which they will perform later in the week...

Author: By Michael A. Levitt, | Title: Teaching the ART of Acting | 12/10/1987 | See Source »

...says. "So Bonnie's been trying to help me get rid of my nasality in class. You work on it during the day and you use it at night." And movement coach Annie Loui says, "The students take things they're learning in class and use it in the Cabaret...

Author: By Michael A. Levitt, | Title: Teaching the ART of Acting | 12/10/1987 | See Source »

...experience. Performances--either at the ART or in student projects at the Institute--make up the other half. Director David Wheeler cast four Institute students in the production of Gillette, which opened last week. Many other students are understudies in the Hauptman study of the good ole' boy. And Cabaret Sauvignon is entirely a student production...

Author: By Michael A. Levitt, | Title: Teaching the ART of Acting | 12/10/1987 | See Source »

...mandatory classes, but are expected to work on ART and Institute productions. Herskovits is the assistant director of Gillette, and Landau is the assistant director of Brustein's production of Luigi Pirandello's Right You Are (If You Think You Are). Landau is also directing the Institute's Cabaret...

Author: By Michael A. Levitt, | Title: Teaching the ART of Acting | 12/10/1987 | See Source »

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