Word: cabarete
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...down her schoolhouse. Eager to bring Cork to trial, she discovers that women can't serve on the jury because they haven't the right to vote. Annie heads for Cheyenne and the legislature to change all that. Her fervor kindles the latent womanhood of a jaded cabaret queen, Elsie (Gladys George). It is no trick for Elsie and her chorus of fancy dollies, who are on kissing-cousin terms with the legislature, to get Annie's bill for woman suffrage introduced. Annie does the rest-with the aid of some sage political advice from a statehouse...
...Taking Painter Benton at his word, Manhattan Impresario Billy Rose last week asked for and succeeded in borrowing Benton's most saloon-worthy canvas, the famed, undraped Persephone, to hang in his revamped cabaret, the Diamond Horseshoe. Said Rose: "You've got the painting; I've got the saloon...
Last week Showman Billy Rose put on his third revue at his two-year-old Manhattan nostalgia palace, the Diamond Horseshoe cabaret. For this show Rose dug up several pre-and-early-'20s cinema stars. Master of ceremonies was grey-haired Carlyle Blackwell, who was a notable glamor boy during the Wilson Administration. The lush Nita Naldi, whose heroic scale bust was a feature of Rudolph Valentino's Blood and Sand, gave a smoldering recital of Kipling's The Vampire. Shimmy-shaking Gilda Gray didn't attempt the racking vibrations of her youth, but heaved...
Sirens had sounded. Most of London had descended into shelters, but to those in the cabaret, time seemed too dear to squander underground. Bombs began to fall near by: it was London's worst night raid in weeks. The orchestra played Oh, Johnny a little louder...
Greenwich Village's American Contemporary Artists Gallery nestles like a hayloft hideaway in the eaves of the Village Barn cabaret. There last week William Cropper, U. S. leftism's No. 1 painter, gave his annual one-man show. A persistent sapper and gnawer at the roots of capitalism (for years the ace cartoonist of the old Liberator, the newer New Masses), Painter Gropper turns out each year some 50 oils, countless lithographs and drawings of fat capitalists, hungry workers, woe-heeled sharecroppers, bashed and bleeding soldiers. His highly-colored, savagely-drawn pictures have drawn praises and commissions from...