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Word: cabareting (lookup in dictionary) (lookup stats)
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...matter is of some importance because if audiences are going to view a film like Cabaret as a moral for our times the forces of sexual liberation might just be defeated before they've even begun their fight. It's not just the folks in Kansas who are shocked and confused by the current goings-on. A few months ago, as supposedly hip a publication as Rolling Stone took time, in an article on the Cockettes, to review San Francisco's sexual underground, concluding. "We are seeing the beginning of the 21st century here, and it feels like sitting ground...

Author: By Gregg J. Kilday, | Title: So OK, Your Boyfriend's Bisexual, But Don't Take It Out on the Nazis | 3/27/1972 | See Source »

Admittedly, the onward march of sexual liberation can be expected to leave behind a good many bizarre scouting parties in its wake. But it's still too early to issue apocalyptic judgments, even if they come in as attractive and stylish a package as Cabaret's "historically-grounded" warnings. There is no simple connection between sexual experimentation and political dictatorship--and out own present crises can't be so blithely associated with crises of the past. Cabaret is fine when it sticks to what it knows best--its song and dance--but when it ventures into sexual politics it must...

Author: By Gregg J. Kilday, | Title: So OK, Your Boyfriend's Bisexual, But Don't Take It Out on the Nazis | 3/27/1972 | See Source »

While, pretending to take an enlightened and understanding approach to its material (for Brian turns out to be every bit as bi as the Baron), Cabaret ends up a straight-laced condemnation of sexuality at large. It is no coincidence that the few bisexual characters who have appeared in recent movies have all been presented as evil. Michael York in Something for Everyone and Terence Stamp in Feorema and Entertaining Mr. Sloan victimize the families they visit with their domineering sexual attractiveness, while Murray Head's characterization in Sunday Bloody Sunday is that of a callous and irresponsible drifter. Where...

Author: By Gregg J. Kilday, | Title: So OK, Your Boyfriend's Bisexual, But Don't Take It Out on the Nazis | 3/27/1972 | See Source »

...looked back shame-facedly at the excited screechings I had uttered when asked if I wanted o interview him, "some English actor who's in 'Cabaret'". And how terribly untrendy it had been of me to giggle at Joel Grey's incredible antics in the movie's opening scenes, but still to wait with bated breath for Michael York to appear, as he finally did, his beautiful boxer's nose suspiciously sniffing Berlin's decadent 1930's air: after all, who is Michael York? Many things to many people in "Something for Everyone." A few might remember...

Author: By Celia B. Betsky, | Title: The Compleat Oxonian | 3/27/1972 | See Source »

...first time I've ever held and interview like this, you know. I'm doing it because I enjoyed doing 'Cabaret' so much, and it also gives me a chance to talk with Americans. Oh yes, I've been to America before, my wife (does the heart sink?) used to work for Glamour magazine. But I've been living amongst this colony of American refugees (so he can be sarcastic...) in London, and they all have this terribly pessimistic view of the States. I wanted to see for myself. And then, I adore travelling more than anything else. I think...

Author: By Celia B. Betsky, | Title: The Compleat Oxonian | 3/27/1972 | See Source »

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