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Word: cabareting (lookup in dictionary) (lookup stats)
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Simultaneously, the committee released the program for the "Cabaret" on Friday, May 9, that will include a musical show by Robert Ashenhurst '50 and dancing to the music of a full-size band...

Author: NO WRITER ATTRIBUTED | Title: Models to Gauge Yardling 'Lines' For Prize Dances | 4/23/1947 | See Source »

...seats are still available for the Wednesday, Thursday, and Friday shows, which will be followed by cabaret dances. There will be no dance after the Saturday performance...

Author: NO WRITER ATTRIBUTED | Title: Pudding Surrenders to Ticket Demands with Saturday Show | 4/8/1947 | See Source »

Both the law of averages and traditional Harvard theatrical indifference take a beating this week over on Holyoke Street, where the third undergraduate hit in as many weeks sent last night's audience upstairs to the famous Pudding after-the-show cabaret humming good tunes and roaring at the mere thought of Theodore Allegretti. Recent patrons of Sanders Theatre probably remember Allegretti as an intense young man with a flare for speechifying. But it is as a comedian, occasionally whimsical and droll but usually nothing short of hilarious, that he stands out in a show which is full of entertainment...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 3/27/1947 | See Source »

Rodzinski played the piano in a cabaret to support his first wife and their small son. It was a big break when the local opera director let him conduct Verdi's Ernani: "The smell of the scenery, the makeup, the wigs . . . you can't get it out of your system. Ask any opera man." In 1924 Leopold Stokowski, visiting Warsaw, met Rodzinski, later hired him as assistant conductor of the Philadelphia Orchestra. When Rodzinski reached the U.S., the first thing "Stokie" did was to run his fingers through Rodzinski's slick and parted hair, "to give...

Author: /time Magazine | Title: Music: The Master Builder | 2/17/1947 | See Source »

Dead Reckoning (Columbia) would be quite a good thriller if it kept the edge and pace of its first hour or so. During that time ex-Paratrooper Humphrey Bogart hustles all over Gulf City, from morgue to Catholic church to cabaret, in his efforts to learn who rubbed out his comrade-at-arms (William Prince), and why. He becomes interested, particularly, in his late pal's hoarse sweetheart (Lizabeth Scott), in a suave nightclub proprietor (Morris Carnovsky) and in Carnovsky's fat strong-arm boy (Marvin Miller), who likes to torture his victims to soft music...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 3, 1947 | 2/3/1947 | See Source »

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