Word: cabareting
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...already attended the Derby, married an Irish airplane mechanic (Franchot Tone), seen him shot by a mysterious veiled lady (Benita Hume). Under the impression that she is a widow, she marries André Charville (Cary Grant), heir to a fine château, whom she meets in a cabaret. Charville turns out to be France's No. 1 ace. He is also a knave who breaks Suzy's heart with his philanderings. Who is the girl Suzy finds him kissing late one evening on a hospital bed? It is the same veiled lady who shot her first husband...
...vieux carré, Lillian McDowell, whose profession was listed as "cabaret hostess," teetered out of a saloon with a man she had picked up. Soon she staggered back inside clutching her stomach and moaning: "Slim cut me." Hostess McDowell died. Police began looking for "Slim...
Estelle Hughes, another "cabaret hostess," left the Red Dot Café with a sailor and a jockey, wound up at dawn on the lawn of the Louisiana & Arkansas Railway station. There was a bullet through her brain and her skirt had been pulled up over her head. Police arrested the jockey. At the dead woman's rooming house, her 9-year-old daughter was dressed in an Indian suit, wailing for her mother to take her out to see the parades...
...this time Chaplin has made the acquaintance of a Gamin (Paulette Goddard). She has patched up a shack where both can live in airy disdain of the Hays organization. When Chaplin gets out of jail, the Gamin is dancing in a cabaret whose proprietor agrees to employ Chaplin as a singing waiter. There occurs a scene of tray juggling, followed by the Chaplin song, in gibberish. Juvenile court officials descend on the cabaret to arrest the Gamin. Escaping, she and Chaplin are last seen walking together up that desolate and endless road upon which so many of his films have...
...elaborate production numbers, in which the Goldwyn Girls function as decoratively as usual, but the activities of an animated young woman named Ethel Merman. Long familiar to Manhattan stage audiences, Ethel Merman's previous cinema appearances have been trifling and unimpressive. In Strike Me Pink, cast as a cabaret entertainer who nearly demolishes Eddie Pink's romance with a wholesome blonde (Sally Eilers), she comes into her own, sings all three of the show's best songs: First You Have Me High, Then You Have Me Low!, Shake It Off With Rhythm, Calabash Pipe...