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Word: cabareting (lookup in dictionary) (lookup stats)
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...BART HOWARD, 88, who wrote Fly Me to the Moon; in Carmel, N.Y. The song, whose original title was In Other Words, became popular in 1960 after Peggy Lee sang it on The Ed Sullivan Show, though Frank Sinatra's version is better known. Howard, who had been writing cabaret songs for two decades, said, "It took me 20 years to find out how to write a song in 20 minutes...

Author: /time Magazine | Title: Milestones Mar. 8, 2004 | 3/8/2004 | See Source »

Boston’s own the Dresden Dolls perform their unique and enthralling Brechtian punk cabaret. The girl piano player and boy drummer duo are touring off their stunning 2003 self-titled album. With vivid theatrical costumes and seductively pretentious rock, their live show is one of the most visually and musically exciting out there. Tickets $13. 8 p.m. Axis, 13 Lansdowne Street, Boston...

Author: By The Crimson Staff, | Title: Happening | 3/5/2004 | See Source »

...Naked mimes! Nuff said. No? Then add that Cirque du Soleil?s sexy cabaret at the New York New York resort in Las Vegas has some seductive pas de deux and a lovely onanistic girl-on-a-rope act. As I reported in a November column, it?s erotic and transporting...

Author: /time Magazine | Title: The Lord of the Feeling: The Return of the Feelies | 1/26/2004 | See Source »

...It’s a cabaret show,” says Strauss, and it doesn’t leave anyone out: the perennial acts atop the Hill—Dubya, Dick, Donald and Condoleeza—are joined by old favorites Bill and Hillary, the hapless Democrats running for president, and Arnold. Onstage, the politicians—plus Rush Limbaugh—carry on their usual antics in songs and skits, like the Mary Poppins classic “Super-California-Recall-Freak-Show-Was-Atrocious,” “The Lieber...

Author: By Lily X. Huang, CRIMSON STAFF WRITER | Title: ‘Stepping’ on the Toes of Candidates and Politicos in Sanders Theater | 12/5/2003 | See Source »

...however, is O'Dowd's music and lyrics, among the best I?ve heard on Broadway in the past few seasons. (With the exception of two old hits, Karma Chameleon and Do You Really Want to Hurt Me, all the songs are new.) The show opens with an infectious cabaret number that launches the show as effectively as the Wilkomen number in Cabaret: "I'm known/ In all the wrong places / I'm one of those faces / You'll never forget." The score ranges from Brecht-Weill for the age of irony (Ich Bin Kunst), to disco with a touch...

Author: /time Magazine | Title: Rosie?s Bum Rap: In Defense of Taboo | 11/18/2003 | See Source »

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