Word: cabareting
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Broadway impresario, who has spent a half-century creating musicals such as Evita, Cabaret, Company and Phantom of the Opera, was appalled to learn that the June ceremony's network telecast did not include any mention of authors, designers, directors or choreographers...
...there's hardheaded career calculation here too. Hollywood, which gave her an Oscar in 1973 for Cabaret, pretty much washed its hands of Liza years ago, and even Broadway hasn't been very hospitable lately. Her last appearance, replacing Julie Andrews as the star of Victor/Victoria in 1997, got mixed reviews and ended prematurely because of her health problems. On a concert tour in the months that followed, she began canceling performances, alienating fans and bookers alike. When she called in sick at the last minute for a tribute in her honor thrown by Burt Reynolds in Los Angeles--then...
...Carnegie Hall. Too many celebrators retailed the clever mots that have diminished Coward's reputation to something like that of, say, Fran Lebowitz's, instead of revealing him as the theatrical and musical prodigy he was. Happily, though, the evening was primarily an opportunity for the aristocracy of the cabaret world--led by Michael Feinstein, Barbara Cook and Andrea Marcovicci--to sing the luminous songs on which Coward's legacy should most comfortably settle...
...Halder, in a smart performance by Arciniegas, a member of the theater department at Wellesley College, is a frustrated soul. His way of coping with stress is to hear imaginary band music, from cabaret numbers to classical symphonic excerpts. And he has much to be stressed about. His wife Helen (Joy Brooke Fairfield '03) confines herself to the home in neurotic fear. His mother (Cheryl Chan '03) is blind and suffers from an annoying senile dementia that drives Halder to publish his pro-euthanasia book during one of his depressed bouts. His best friend is a Jewish psychiatrist named Maurice...
...broadway and musical comedy were all but synonymous. Of late, though, the Great White Way has become a neon-lit recycling bin for tributes (Fosse), revivals (Annie Get Your Gun, Cabaret), retread movies (Footloose) and British imports that were creatively dead on arrival (any Andrew Lloyd Webber show). Yes, Stephen Sondheim still strikes sparks, while a few up-and-comers, especially Adam Guettel (Floyd Collins), show signs of vibrant life. But it's long past time for something really fresh. Contact, the exhilarating dance play by choreographer Susan Stroman and writer John Weidman that opened last week at Manhattan...