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...past five years under the democratically elected government of Thaksin Shinawatra were a nightmare [Oct. 2]. He was a tyrant in disguise. He bought votes to pave his way to power. He and his Cabinet members destroyed the system's checks and balances, abused state power, blocked access to information and violently suppressed peaceful protests. Can you still call that democracy? We want democracy in practice as well as in form. Thaksin's manipulation so deeply divided Thailand that the coup can be regarded as a coup de grace, not a coup d'état. The military did not tear...

Author: /time Magazine | Title: Letters | 10/23/2006 | See Source »

...even more unrepentant than Koizumi on the issue. Yet he recently told the Diet that his government accepted previous official Japanese apologies for the country's aggression in World War II. He also acknowledged the responsibility of Japan's wartime leaders?including his own grandfather, Nobusuke Kishi, a cabinet minister during the war who later served as Prime Minister. While parts of his conservative base publicly wondered what had happened to their hawkish prince, Abe's adjustments paved the way for his East Asian summits and offered reassurance that, unlike Koizumi, he won't let ideology...

Author: /time Magazine | Title: Hitting His Stride | 10/23/2006 | See Source »

...distinguishing his administration from the previous one in other ways. To compensate for what even his own supporters perceive as a lack of Koizumi's charisma, Abe has taken a team-oriented approach. He packed his cabinet with close associates, expanded the number of prime-ministerial advisers from two to five and began forming a Japanese equivalent of the U.S. National Security Council, reporting directly to the Prime Minister. The creation of Team Abe is an attempt to shift political power away from Kasumigaseki, where Japan's formidable bureaucrats toil. "There's always been a struggle between...

Author: /time Magazine | Title: Hitting His Stride | 10/23/2006 | See Source »

...water lilies and Van Gogh's windmills, a group of white-gloved, green-uniformed installation specialists have gathered round the much earthier canvas of Judy Watson's Aboriginal Shield, which has come all the way from Wollongong. Around the corner, Ken Thaiday Senior's tiger-shark headdress occupies a cabinet where early Greek and Egyptian antiquities are normally housed. But this day the biggest impression comes when Patricia Piccinini's mutant possum sculpture emerges-bearing impossibly lifelike wrinkles, hair and fangs-from its packing box. "With this work, we are now starting a new history," says exhibition coordinator Tomoko Nakayama...

Author: /time Magazine | Title: Both Sides Now | 10/23/2006 | See Source »

Cross-pollination is at the heart of Adelaide-based Fiona Hall's work, and her botanical passions have often brought her in close proximity to Aboriginal Australia. This is cleverly suggested in "Prism" by placing her cabinet of glass-beaded native flora and fauna, Understorey, 1999-2004, in the anteroom to a gallery of work by mainly women artists from the Central Australian settlement of Utopia, whose riotous desert-flower colorfields appear to wink at Hall's work...

Author: /time Magazine | Title: Both Sides Now | 10/23/2006 | See Source »

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