Word: cabrolã
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Videt had a good eye. Holding, now a senior, has distinguished herself tremendously over her past four years as an undergraduate. Since her first lead role as Lucie Cabrol in Videt’s “The Three Lives of Lucie Cabrol?? on the Loeb Mainstage, she has appeared on the Mainstage twice more as Electra in “The Flies” and Woman 1 in “Metamorphoses.” In addition, she played Beatrice in “A View from the Bridge,” Viola...
...Three Lives of Lucie Cabrol?? is a play haunted by regrets, misfortune, and ghosts, both real and imagined. This Mainstage production, directed by Catherine “Calla” I. Videt ’08 and produced by Matt I. Bohrer ’10, maintains an otherworldly aspect throughout its time upon the stage. Running through April 14, the play is an impressionistic look at the life and death of the title character, a poor and often friendless woman living in the French countryside. The result is a fascinating—but occasionally impenetrable?...
...usually the case on the Mainstage, the technical elements of “Lucie Cabrol?? are lovely. The lighting, designed by Joshua Randall, casts much of the play in a dimly-lit zone, with some nice effects (the red light spilling from a wood stove, for example) that occasionally verge into gimmickry (the coffin-shaped spotlight that Lucie lies in, for example...
...Three Lives of Lucie Cabrol?? is remarkable for its blending of the fantastic and the real, introducing stylized elements to tell a story of a woman’s mundane life and her rather less mundane afterlife. Ultimately, the play is ambitious and beautiful both visually and in its underlying ideas, but its surplus of style keeps it from a true emotional resonance...
...original production and in most subsequent interpretations, the protagonist of “The Three Lives of Lucie Cabrol?? is a dwarf. But at 5’10”, Carolyn W. Holding ’10, who plays Lucie in the upcoming Harvard-Radcliffe Dramatic Club (HRDC) production, doesn’t quite fit that mold. “She’s very tall and very lovely and beautiful, which is not what Lucie in fact is,” says producer Mollie M. Kirk ’07. Specific physical descriptions were not a priority...
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