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Word: cabs (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...right-of-way over the south end of the famed Comstock Lode. Mr. Hoover remembered well when he had had a mining engineer's job on the Comstock in 1895. Before the train snorted on, Messrs. Hoover and Mills and Mrs. Mills climbed into the locomotive's cab. Mrs. Hoover and Manhattan's onetime Congresswoman Ruth Pratt stayed behind in the coach. At Virginia City the party visited the famed crystal bar of the Washoe Club. Mr. Mills's grandfather had once signed its register. Many a Silver King in Nevada's great days...

Author: /time Magazine | Title: People, Apr. 10, 1933 | 4/10/1933 | See Source »

...typical Delmar character, the cab driver, George Raft, and the pick-up fall in love. He becomes a garage owner, and they live happily in the suburbs until a hard-boiled society girl overcomes Mr. Raft. At the same time Sylvia Sidney's jealous husband breaks out of jail and goes to the house in the suburbs prepared to kill his wife's paramour. Here matters become complicated but the mud sinks to the bottom of the vortex, and Sylvia Sidney and George Raft miraculously emerge, triumphant...

Author: By G. R. C., | Title: The Crimson Playgoer | 3/28/1933 | See Source »

George Raft is not too successful as the cab driver. He was like a puppet guided by an inexpert amateur. Especially in the scenes with the society siren did he show his lack of versatility in acting. A pleasant contrast to the poor interpretation of Mr. Raft was the almost flawless acting of Miss Sidney. She has remarkable reserve in depicting sentimentally emotional scenes which Helen Hayes, who has been so highly praised, lacks. Without a flood of tears, with the slightest modulation in voice, which paradoxically should be the reaction of the opposite emotion, she can show her consternation...

Author: By G. R. C., | Title: The Crimson Playgoer | 3/28/1933 | See Source »

Potato-nosed Jimmy Durante, the living composite of Manhattan cab drivers, did not have to work hard for his laughs. Covered with characteristic confusion, Funnyman Durante finds himself trying to climb over the orchestra pit to assert his identity when an impostor is introduced on stage in the second scene. He appears to be, as usual, utterly unable to control his feelings. He shakes his parrotlike head, hurls his hat at the band, indulges his ignorant fondness for British idioms, tells the old one about the floorwalker who thought he was about to be kicked by the dog, sings snatches...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Mar. 13, 1933 | 3/13/1933 | See Source »

...actor and actress who were quite fond of each other and of him. They were very considerate people. When the actress took him to sing and play the piano for his supper at George S. Kaufman's, she made sure that Mr. Kaufman also paid the cab fare...

Author: /time Magazine | Title: The Theatre: First Englishman | 1/30/1933 | See Source »

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