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...marine, Bickle has found himself stricken with insomnia, and, in the movie's opening scene, decides to undertake driving the moonlight shift on a taxi cab simply as a way of filling up the time. Increasingly fed up with the sordid people he encounters in his midnight runs--prostitutes, pimps, pushers and various basket cases--he begins a strict physical and mental regimen in pursuit of some goal at which we can only guess. After an innocent attempt to woo a senator's aide (Cybill Shepherd) and to rescue a teenage prostitute (Jodie Foster) from the streets, Travis resorts...

Author: By Nicholas R. Rapold, | Title: Yeah, We're Still Lookin' at DeNiro | 2/15/1996 | See Source »

...scene, Travis's cab emerges on to the screen from a Dantean burst of steam like a metallic beast as Bernard Herrman's eerie score beats to a crescendo. A close-up of Travis's wide-open eyes reflects the gaudy neon lights of 42nd Street porn shops, as he absorbs the world about him for a fare. At times, his passivity seems to reappear in his actions. Travis sees the "pow-pow" finger motion of a fellow cabbie and imitates it later--in a drastically different context, perhaps suggesting how Travis is shaped by the world around...

Author: By Nicholas R. Rapold, | Title: Yeah, We're Still Lookin' at DeNiro | 2/15/1996 | See Source »

...price tag in the mid-$30,000 range. (Will it have the effortless, raunchy, bad-attitude rumble of this writer's black-with-red pinstripes 1985 Ford F-250 plow truck, noble on its big wheels, with two gas tanks, chrome air horns, jaunty rust spots and revolving yellow cab light...

Author: /time Magazine | Title: HIGH RIDE AND HANDSOME | 2/5/1996 | See Source »

...recollecting his penniless student days in New Orleans in the '50s and how one evening at a jazz club, a musician befriended him and bought him dinner. I think it makes a nice historical footnote that one night at Galatoire's, the future President of France dined with Cab Calloway...

Author: /time Magazine | Title: To Our Readers, Dec. 11, 1995 | 12/11/1995 | See Source »

...voice my opinions." Those opinions are often present beneath the surface; in his performances, there is a smoldering Afrocentricity that gives his work depth, connecting it to a cultural reality larger than the movies in which he appears. In one scene in The Pelican Brief, he kicks at a cab that has passed him by. In Devil in a Blue Dress, his character takes pointed pride in being one of the few blacks in his neighborhood to own his own home. Says Carl Franklin, who directed Devil: "Denzel is blessed. He has 'it.'" Other black actors had it but never...

Author: /time Magazine | Title: CINEMA: DENZEL WASHINGTON : PRIDE OF PLACE | 10/2/1995 | See Source »

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