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...beautiful stranger in his arms on a London street. He's been stalking, or just appreciatively lurking after, young Alice (Natalie Portman), who's clearly aware of her seductive appeal. Suddenly, she gets hit by a vehicle. Solicitous Dan leaps into action and Galahads her into a cab. (Man, the indefatigable pursuer!) They've just met, but in the forced intimacy of a back seat she removes his glasses, breathes on them and returns them. She also adjusts his rumpled jacket. Her flirtations are a way of both expressing interest and asserting control. You're a mess, her fiddling says...

Author: /time Magazine | Title: Whatever Happened to Movie Sex? | 11/24/2004 | See Source »

Chris: Who ever said that commercial tie-ins are a good thing? When the Postal Service—a popular band on Subpop combining the lead singer of Death Cab for Cutie, Ben Gibbard (who is as portly as he is whiny) with the poppy glitches of Jimmy Tamborello from Dntel—agreed to a deal with the U.S. Postal Service (USPS), politically correct crunchies everywhere praised this indie-rock spirit of compromise. But they seem to critically overlook the fact that by this deal, an allegedly DIY band and an allegedly DIY branch of the U.S. government have...

Author: By William B. Higgins and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Two Indie Advocates Sort Out the Postal Service Copyright Saga | 11/19/2004 | See Source »

...nice deal: They get big distribution and decent promotion while still maintaining their indie credibility; they get immediate critical attention, but won’t be thrust so far into the limelight as to lose their private lives.  And it’s not as though Death Cab, Ben Gibbard’s day job, has been a young upstart act anyway.  These guys are old hands on the circuit, as close to an establishment as indie gets.  (In fact, they just announced a new deal with Atlantic, so you can scratch the indie...

Author: By William B. Higgins and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: Two Indie Advocates Sort Out the Postal Service Copyright Saga | 11/19/2004 | See Source »

...Winning bid of cabdriver Mohammed Shah for a taxi medallion, the highest amount ever paid for an individual cab license in New York City...

Author: /time Magazine | Title: Numbers: Nov. 1, 2004 | 11/1/2004 | See Source »

Though still a largely underground band, Death Cab is unavoidably reaching new territory, a strange land where die-hard fans sometimes run away and new pop fans pour in. Certainly there were many new fans at Tuesday’s show, but just how many and what that means is unclear. This next year is going to be a very significant time in Death Cab’s path, especially with rumors of major label activity that recall the recent mainstream leap of Modest Mouse. Small decisions at this stage can have major impacts. But if Death Cab can stay...

Author: By James F. Collins, CONTRIBUTING WRITER | Title: Death Cab Rocks Avalon | 10/22/2004 | See Source »

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