Word: caddishly
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...starred with fine scenes and good performances. Though played as contemporary melodrama, it somehow manages to reflect the gaslight magic of turn-of-the-century London. Murder is the plot, but everyone is extremely gentlemanly about the crime, from the Holmesian police inspector (John Williams) down to the caddish assassin (Anthony Dawson). The crime is conceived by quick-witted Ray Milland, who, losing his wife's love, decides to murder her for her money rather than wait for her to leave him. A solicitous sort who doesn't want to hurt anyone unnecessarily, Milland arranges to spend...
...river. When he made the deal to buy it, he had also seduced the widow who owned it, but if ever a man reformed for good, it was Clyde. He was not only a model husband but a shrewd businessman. Of course, stepson Bushrod turned out to be a caddish sponger, but stepdaughter Gary was the joy of Clyde's heart. Lucy was loving, but she could not give Clyde a child...
...blighted romance make her at first fear for her daughter, then urge her to go ahead and take her chances. Kicked around rather heartlessly among these three is Bill Williams, an unlucky lump of puppy love. During most of the film Mr. Young is about as systematically caddish as a man can well be and yet rate stellar billing; he even pretends to be torn away by sudden orders, purely for the purpose of setting a fire under the balky heroine. But in the long run, predictably, he finds that this amatory war differs from all the others, and that...
...comes a beautiful woman (Katharine Cornell). She wants the doctor to cure her husband, a brilliant painter and incorrigible amoralist-a liar, cadger and thief in practical matters. Through some of the clankingest plot mechanics in history, Sir Colenso is forced to choose between saving the life of this caddish genius and that of a poor, upright little Government doctor. The issue is complicated by Sir Colenso's desire for the painter's wife. Finally he decides to abandon the painter-only to be spurned in the end by his widow...
Author Anderson, who dramatically presented Elizabeth in his Elizabeth, the Queen three years ago, has done better by Mary in Mary of Scotland. Of the story of murder and plotting, cloaks & swords, knife-faced Bothwell, caddish Darnley, crafty young Elizabeth, the snaggle-toothed pack of Scots Lords, he has made a poetic play. Designer Robert Edmond Jones has set it against six harsh, splendid sets. The first scene is of Mary's landing at Leith, a "cold, dour, villainous and dastardly" place. The second in England shows Elizabeth plotting to trick Mary into marrying Tudor-blooded Darnley, a Catholic...