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Word: cadenza (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Music at the University of Oklahoma. Sugar Baron Keiser, Harvard '27, won a Juilliard scholarship after graduation, studied piano under Ernest Hutcheson before he took over the family business (Cuban-American Sugar Co.). Keiser still gives concerts near his home in Connecticut. After ripping through his last cadenza with a touch of a smile on his face, Keiser came offstage last week saying, "What fun. What fun." Said Santa Bernstein: "I wish more musicians were as reliable...

Author: /time Magazine | Title: Music: Family Party | 12/28/1959 | See Source »

...opening work was the quaint Duet in D Major by Haydn. There followed the Duo for Violin and Violoncello by the contemporary composer Bohuslav Martinu, a work that is full of technical difficulties and cadenza-like passages for the two instruments. The final work was Ravel's splendid Sonata for Violin and Violoncello, which elicted the most enthusiastic response from the audience...

Author: NO WRITER ATTRIBUTED | Title: Violin, Cello Perform In Sanders Concert | 7/30/1959 | See Source »

...CADENZA (223 pp.)-Ralph Cusack-Hougton Mifflin...

Author: /time Magazine | Title: Books: For the Singing Birds | 4/20/1959 | See Source »

...offered the reader in recent years, the more bizarre of them including At Swim-Two-Birds, by Flann O'Brien (alias Myles na gCopaleen), and The Ginger Man (TIME, June 2), by J. P. Donleavy. Ireland's Ralph Cusack, an eccentric horticulturist and ex-painter, has written Cadenza as if to prove that O'Brien and Donleavy were squares and that James Joyce was well within his rights when he borrowed the English language and returned it in a condition unfit for use by the original owners. Cadenza is a maddeningly clever and occasionally poetic tale which...

Author: /time Magazine | Title: Books: For the Singing Birds | 4/20/1959 | See Source »

Ferras' legato passages spun out in long, honeyed strands of sound; his attack in the cadenza was as crisp as vellum. Throughout, he displayed a sweeping, rhythmic flair, a fluent, coolly lustrous tone. His Brahms had about it a quality of molded passion that far older artists might envy...

Author: /time Magazine | Title: Music: French Fiddler | 3/23/1959 | See Source »

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