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Conceived by Saunders and drawn by his partner Ken Ernst, the take-off on Capp seemed to contain too many dirty digs to be just good clean fun. When Mary Worth pays a visit to the summer home of "Comic Strip Artist Hal Rapp," he proves a coarse cad. "Hey! Who's this old biddy?" he demands. "I was expecting somebody younger! Get the idea?" Soon he is hurling a glass of booze (poured into a tumbler decorated with a Capp-created Shmoo) at one of the peons who turns out his strip Big Abe on the assembly line...

Author: /time Magazine | Title: The Press: Rap for Capp | 9/9/1957 | See Source »

Baby Sitting to Cad Kicking. The Sketch's Powell-play was a London summer phenomenon brought on by newspaper circulation managers' frantic efforts to keep their papers selling (the Daily Mail was offering a bus trip to Moscow...

Author: /time Magazine | Title: The Press: Man in a Million | 8/26/1957 | See Source »

...Canal contractor, had been jobless since the British invasion when he wrote a letter to Box F-1794 the Times, in answer to a classified ad for an advertising salesman. Wrote Powell: "I can ride a show jumper or fight a duel. I can swim a river, kick a cad where it hurts-or play chess with a debutante. I once shot a bandit in Sumatra. I could do anything from baby sitting to playing a balalaika in the Andes...

Author: /time Magazine | Title: The Press: Man in a Million | 8/26/1957 | See Source »

...letters pouring into his own mailbox gradually turned favorable to Altrincham by a ratio of three to one. Letters to the working-class Daily Mirror were four to one in his favor, and even the middle-class Daily Mail, which at first received a rush of what-a-cad letters, found the mail turning more evenly to the lord as the week went...

Author: /time Magazine | Title: GREAT BRITAIN: The Peer & His Peers | 8/19/1957 | See Source »

Angelo (Raf Vallone) is a lusty Italian peasant, but no cad; for him, sex is a virtually impersonal bodily function, and he is delighted to find himself in the presence of three attractive targets: Agatha (Madeleine Robinson), the young widow of Angelo's best friend in a prisoner of war camp; her burgeoning teenage daughter Sylvia (Dany Carrel); her sulky sister-in-law Pia (Magali Noël), a sensuous charmer with a body like molded quicksand. Angelo is not thinking of farm labors when he eyes the ladies tauntingly and husks: "You don't have...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 12, 1957 | 8/12/1957 | See Source »

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