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...Crossan, Jesus' deification was akin to the worship of Augustus Caesar -- a mixture of myth, propaganda and social convention. It was simply a thing that was done in the ancient Mediterranean world. Christ's pedigree -- his virgin birth in Bethlehem of Judea, home of his reputed ancestor King David -- is retrospective mythmaking by writers who had "already decided on the transcendental importance of the adult Jesus," Crossan says. The journey to Bethlehem from Nazareth, he adds, is "pure fiction, a creation of Luke's own imagination." He speculates that Jesus may not even have been Mary's firstborn and that...

Author: /time Magazine | Title: Jesus Christ, Plain and Simple | 1/10/1994 | See Source »

...years, it seems odd that Jones has only recently been discovered by the movie-going audience at large. Shortly after graduation from Harvard, Jones made his Braodway debut in John Osborne's "A Patriot for Me." He later shared the Broadway stage with the likes of Carol Channing, Sid Caesar and Zero Mostel. He was awarded a best Actor Emmy award for his portrayal of Gary Gilmore in "The Executioner's Song" and was nominated for another Emmy for his performance in the mini-series "Lonesome Dove." In addition to his movie role in Oliver Stone's "JFK," for which...

Author: By Ariel Foxman, | Title: The Year of Tommy Lee Jones | 12/16/1993 | See Source »

When Neil Simon and other such budding comedy legends as Mel Brooks, Carl Reiner and Larry Gelbart wrote for TV comic Sid Caesar in his 1950s heyday, they rarely put anything on paper. Instead they sat in a room trying to top one another, shouting out situations and one-liners. Periodically Caesar would halt the schoolboy jockeying to read aloud what they had so far. "Read what?" Simon recalls asking. "We haven't written anything yet." But Caesar had culled the best of their ideas as he heard them and, by a wink or nod, had ensured they were recorded...

Author: /time Magazine | Title: Punch Lines, But Little Punch | 12/6/1993 | See Source »

Dominating them is the Caesar character, Max Prince, played by Nathan Lane with such adrenal zest and unquenchable rage that his face keeps turning purple and his eyeballs all but explode. Lane evokes Jackie Gleason more than Caesar as he bellows and punches through walls. The difference, as Simon knows from having served both, is that Caesar huddled with his writers while Gleason demanded that the finished script just be slipped under the door...

Author: /time Magazine | Title: Punch Lines, But Little Punch | 12/6/1993 | See Source »

Works by both the country's most successful veteran playwright and its most idolized newcomer opened on Broadway. Neil Simon returned to the stage with Laughter on the 23rd Floor, a nostalgic comedy based on his days as a writer for Sid Caesar. The other debut, Perestroika, is the second half of Tony Kushner's Pulitzer-prizewinning age-of-AIDS epic, Angels in America. Critics were far kinder to Kushner than to Simon...

Author: /time Magazine | Title: The Week November 21-27 | 12/6/1993 | See Source »

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