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...brilliant French mime, Marcel Marceau, is "the art of expressing feelings by attitudes and not a means of expressing words through gestures." When Skelton this week shut his mouth for half an hour, he demonstrated Marceau's point better than any of the other U.S. performers-Caesar. Gleason Kovacs-who have tinkered fitfully with the unspoken attitude. Skelton shuffled through the pathetic attempts of Freddie the Freeloader to cadge a Thanksgiving dinner from the Elite Restaurant. His kindness in returning a rich matron's purse was rewarded with no reward: a policeman rapped a lone apple from...

Author: /time Magazine | Title: Show Business: Golden Silence | 12/1/1958 | See Source »

...Dinah Shore Show (NBC, 9-10 p.m.). Sid Caesar fans must be fast afoot and nimble in the dialing finger if they are to catch him these days, but he can be seen briefly here. Color...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER: From Hollywood | 11/17/1958 | See Source »

...play, Britain's Angry Young Success John Osborne looked back with pleasure on his previous record with U.S. critics. "I've actually been more respected here," said the 28-year-old playwright of The Entertainer and Look Back in Anger. "At home I feel like Julius Caesar going into the Forum . . . In this American century-because it has the American look and the American accent-the cry at home now is that I've sold out to the Yankee dollar...

Author: /time Magazine | Title: People, Nov. 10, 1958 | 11/10/1958 | See Source »

...after his election-so much so that some Romans fondly recall the story told of Sixtus V (1585-1590), who in conclave seemed decrepit and ailing but, as soon as elected, threw away his cane, rose to his full height and announced in a vigorous voice: "Now I am Caesar...

Author: /time Magazine | Title: Religion: I Choose John . . . | 11/10/1958 | See Source »

Party Girl (Euterpe; MGM) is a caricature of an old-fashioned gangster picture, done in a clever but vulgar style. All the usual features are there, but all are comically exaggerated. The Little Caesar (Lee J. Cobb) is a sentimental old sweetie-pie with a heart almost as big as his sneer, who passes out diamond-crusted cigarette cases as if they were candy bars, gets a schoolboy crush on a studio still of Jean Harlow, and in fact has only one fault. He frequently rubs people the wrong way: out. The Big Mouthpiece (Robert Taylor), with his white-piped...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 10, 1958 | 11/10/1958 | See Source »

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