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Word: caesarism (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Cradle Will Rock (music and words by Marc Blitzstein; presented by the Mercury Theatre). To John Houseman and Orson Welles, the producers of Julius Caesar (TIME, Nov. 22), Marc Blitzstein's The Cradle Will Rock is an old problem. They tried to produce it in Manhattan last June for the WPA theatre, were stopped on dress rehearsal night by a mysterious order from above. Now, without benefit of Government, they present it on their own bare stage for special performances. Author Blitzstein sits on the stage, plays his music, occasionally joins the actors as they step forward to sing...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 13, 1937 | 12/13/1937 | See Source »

...festivals, regarding music and poetry as national sports. Roman Poseidonius of Apamea noted in the second Century B.C., that the inhabitants of Wales "have poets whom they call bards, who sing songs of eulogy and of satire, accompanying themselves on instruments very like the lyre." Even hard-headed Julius Caesar, with his general's ear for music, mentioned in his Gallic War that the Druidic warriors "learn by heart a great number of verses." Scholars have long puzzled over Welsh manuscripts of the 12th Century, trying to decipher lines and circles that meant chords to Cambrian harpists. The Welsh...

Author: /time Magazine | Title: Music: Eisteddfod | 11/29/1937 | See Source »

...Julius Caesar (by William Shakespeare; produced by the Mercury Theatre). Manhattan's intimate Comedy Theatre once echoed to Holbrook Blinn's The Bad Man, staged Katharine Cornell's debut (1916), played host to the theatre's great until northbound Broadway moved on and left it to amateurs, foreign language mummers. Last week Orson Welles and John Houseman reclaimed it as the Mercury Theatre, and the change meant more than a new sign over the marquee. It meant a new. vitalizing experiment in drama...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Nov. 22, 1937 | 11/22/1937 | See Source »

...angled shafts of light marked this Caesar (Joseph Holland) well-his striding height, jutting chin, cross-belted military tunic, sleek modern breeches. Dark-shirted followers saluted him with uplifted right arms, sharp hails. Lights more benign singled out contemplative, poet-haired Brutus (Orson Welles), a reluctant, calmly-reasoning conspirator-an introspective idealist in a blue serge suit. No lean and hungry Cassius was Actor Martin Gabel, but a hunched, spleeny agitator, surrounded by grim adherents in modern mufti, slouch hats pluck'd about their ears...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Nov. 22, 1937 | 11/22/1937 | See Source »

...find on the one hand," reported the resolutions committee at the A. F. of L. convention in Denver last fortnight, "the dominating and fulminating Caesar of the C. I. O. marching his Roman legions to the White House with bludgeoning threats, while on the other hand we find the Machiavelli of the same C. I. O. pursuing the methods typical of that old master of cunning and conniving, working through the catacombs of politics, pouring oil upon the troubled machinery of national politics so that where the one smashes through in ruthless effort at conquest, the other follows after with...

Author: /time Magazine | Title: LABOR: Peace or Plot? | 10/25/1937 | See Source »

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