Word: caesarism
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...Caesar and Cleopatra. The most heavily padded entrance of the season has been made. When the uproar of applause was past, the impression began to soak in that the tumult over the first play in the new Guild Theatre was a trifle premature...
Failing to obtain George Arliss or Godfrey Tearle for Caesar, the Guild chose Lionel Atwill. His magnificent presence enhanced the role's potentialities; his heavy humor and his cloudy diction deadened them. Helen Hayes, though very lovely and expert, was occasionally caught in her inexhaustible supply of cuteness. Helen Westley, veteran of many a Guild production, seemed to lack entirely the sinister severity of Ftatateeta. The best performance was contributed by Henry Travers as Britannus. The production was magnificent and the new theatre certainly the finest, the most comfortable and the most beautiful in Manhattan...
These last merited superlatives are a lenient to the above protest, in the interests of truth, against eulogies of the Theatre Guild that have become a fixed habit. Caesar and Cleopatra is a brilliant entertainment; but, had it been produced by Lee Shubert, it would not have been equally eulogized...
...doesn't he find out why J. Caesar fell...
...tendencies. John Thorn, the strong man convert who finds it necessary to hit his adversaries's cheeks so that they may have the opportunity of testing their faith, was a very necessary and worthy addition to the company. His interpretation was equalled but not surpassed by Mr. Compton, as Caesar...