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...varying periods into 30 residences around the world as well as into a sloop on which he cruised through Europe. Simenon even had an American interval: five years in Connecticut during which he shared a barber with James Thurber. "How lucky you are not to have literary cafés in America," Simenon said last week. "In France, they think I'm a barbarian because I don't mix with other writers...

Author: /time Magazine | Title: World: A Happy 200th to Simenon | 3/14/1969 | See Source »

...seasonal multimillion-dollar losses, Broadway is about as uncommercial an enterprise as can be imagined, and the right to fail is honored more often than not. Ever since the success of Virginia Woolf in 1962, Edward Albee has exercised this right annually. Tiny Alice, The Ballad of the Sad Café, A Delicate Balance, Malcolm, Everything in the Garden, and now Box and Quotations from Mao Tse-tung represent the alarming deterioration of a formidable talent...

Author: /time Magazine | Title: New Plays: Dead Space | 10/11/1968 | See Source »

...their own last week, the Beatles make a modest start toward that goal. One, produced by Paul McCartney, introduces 18-year-old Mary Hopkin, a Welsh folk singer with a high, clear soprano reminiscent of Folk Singer Joan Baez. Singing Those Were the Days, a sort of Mediterranean-style café song, she gives a gently swaying, lyrical performance. Another record, produced by George Harrison, offers Liverpool Rock Singer Jackie Lomax, 24, in a driving, bluesy delivery of a Harrison song, Sour Milk Sea. Then there is the 113-year-old Black Dyke Mills Band from the Yorkshire town...

Author: /time Magazine | Title: Recordings: Apples for the Beatles | 9/6/1968 | See Source »

Later, he emigrated to Germany with his cellist brother Mischa, who also was to become a member of the Budapest Quartet. Before starting his classical career in opera orchestras, Schneider earned money for violin lessons by playing in cafés. As a result, to this day he can dash off dozens of waltzes and gypsy airs from memory...

Author: /time Magazine | Title: Violinists: Second Fiddle, con Brio | 7/26/1968 | See Source »

Rumpus Room. The children's rumpus room of the U.S. theater is the off-off-Broadway café house-usually an operation that is long on valor but considerably shorter on value. Typical of this arena is Collision Course, a show consisting of eleven short plays, most of them by café-nurtured playwrights, presented last week at Manhattan's Café Au go Go. All were esthetic stillbirths. Alternating between juvenile temper tantrums and thumb-sucking private reveries, they dwelt on the tried-and-trite themes of alienation, lack of communication, male-female hostility, the nausea...

Author: /time Magazine | Title: Theater: Dramatic Drought | 5/17/1968 | See Source »

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