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Grins & Giggles. In Mexico City, Bullfighter Paco Gorraez heard the news in a cafe. "By God," he said, "but the old owl can really fly!" Then he strode across the café, confronted TIME Reporter Rafael Delgado Lozano, who had persuaded him not to bet on Harry Truman. Expertly, he punched Expert Lozano in the nose...

Author: /time Magazine | Title: THE NATIONS: Oats for My Horse | 11/15/1948 | See Source »

...Theater was conceived in an 18-hour café conversation between two fervent young men: Vladimir Nemirovich-Danchenko, who became its administrator, and Konstantin Stanislavsky, its guiding spirit. Stanislavsky (whose dressing room is kept as he left it at his death in 1938) was a brilliant actor, director and author. He taught a new, true-to-life style of acting that was widely imitated. He built a large repertory of classics, trained his players as a team with no stars...

Author: /time Magazine | Title: The Ideology's the Thing | 11/8/1948 | See Source »

Playwright Maxwell Anderson, who once bought advertising space in a newspaper to strike back at the critics who had panned his latest play (Truckline Café in 1946), explained in the New York Herald Tribune why the American theater has gone to pot: "Moving pictures offer a cheap substitute; wars have damaged our morals, our manners and our taste; our whole western civilization grows doubtful of itself . . . But," he added, nursing his old wounds, "when a playwright [is] . . . publicly whipped, flayed alive, drawn, quartered . . . by every theatrical commentator, that's an experience that can drive good playwrights as well...

Author: /time Magazine | Title: People: Flesh & Spirit | 10/18/1948 | See Source »

...became so enraged that he strode over to a violinist, snatched his violin, and crashed it over his head. He fought with his prima ballerina and when her fellow dancers stuck by her, he conducted Die Fledermaus without any ballet. Once he had to be searched out in a café minutes before curtain time...

Author: /time Magazine | Title: Music: Gamble in Budapest | 10/18/1948 | See Source »

...could be pleasant and witty at parties; he could also be arrogant. When the opera hired him, he demanded 2,700 florins a night (about $230)-twice as much as any other conductor. Nightly, he was seen at cafés-a, scowling giant (6 ft. 6 in.) who shouted at waiters, flirted with young women, or just sat in a corner, thumping out jazz on the café piano...

Author: /time Magazine | Title: Music: Gamble in Budapest | 10/18/1948 | See Source »

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