Word: caf
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Wanda (Barbara Montgomery) devotes herself to reminiscences of President Kennedy, whom she adored and still mourns. In the hands of Playwright Patrick, those are still extremely poignant memories. Sparger (Don Parker) is a homosexual actor from the off-off-Broadway café scene, and he provides acerbic comic relief. Mark (Michael Sacks) is a pill-popping veteran of Viet Nam trying to sort out the dubious good from the known evil of the war. Rona (Kaiulani Lee) is the bruised child of Selma, Ala., and Woodstock, and Carla (Shirley Knight) is an ex-go-go dancer who wanted...
...playwright and author; of complications arising from injuries suffered when he was struck by a bicycle; in Manhattan. Kraft wrote his first play at 33, later collaborated with Theodore Dreiser on the screenplay for An American Tragedy and became a journeyman playwright of comedies and musicals, among them Café Crown and Top Banana, a caustic, dizzy homage to comedy that Phil Silvers made into...
Since then, the café society portraits which now provide Warhol's bread and butter do not pretend to be anything else. To see Warhol entering a drawing room, pale eyes blinking in that pocked bun of a face, surrounded by his Praetorian Guard of chittering ingenues, is to realize that things do turn out well after all. The right level has been found. New York-not to speak of Rome, Lugano, Paris, Tehran and SkorpiÓs-needed a society portraitist. The empty angel of the '60s has effortlessly become the Boldini...
...Phillips Oppenheim, the authors will be unfamiliar to all but cultists. Even the worst of them, though, retain a kind of campy charm. For if the paraphernalia of detection have not changed much over the past 100 years, the women clearly have. In The Stir Outside the Café Royal (1898), demure Miss Van Snoop captures a notorious murderer and then weeps for 30 minutes. Observes the author: "She had earned the luxury of hysterics." Not so Jerry Wheeler, an ex-stripper who, in Angel Face (1937), is all hobnails, barbed wire and mean mouth. About one criminal, she says...
Last year when things looked glum, Andy Warhol's gossip sheet Interview defined a new figure in society: the millionette. Now these "rich young brats" have succeeded café society, the jet set and the beautiful people as social pacesetters. To emulate them, however, requires a lot of loot. Take the personification of the ideal, Nicky Lane, 23, a dégagée Englishwoman with fire-engine red hair, matte-white face and enormous carnelian eyes. "She looks like an apricot," says her whimsical husband Kenneth Jay Lane, the costume-jewelry designer. Nicky is what Cole Porter liked...