Word: cafee
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...nine-year-old St. Louis street urchin in 1924. Jaded beyond his years, with a side-of-the-mouth style of flip talk ("Well, shave my tonsils"), Walt recalls meeting the mysterious Master Yehudi, the man who would change his life: "We were standing in front of the Paradise Cafe, a slick downtown gin mill." "You're no better than an animal," the master greets him. "If you come with me, I'll teach...
Jose Alberto Potuombo is sitting in La Atarraya, the cafe he manages across the street from the great bay, attempting to hear Fidel Castro on his Korean- made boom box. But there are distractions. A crowd is forming on the seawall across the way. "Ven aqui! Ven, mira!" yell the little children, and people are indeed coming and looking. Now there is a crowd of 70, staring down into the water. They laugh, they cheer. Some drivers stop, others honk and yell, "Balseros! Balseros! A Miami! A Miami!" (Rafters! To Miami!) Potuombo scans the scene sourly. "Let the bastards...
...wealth unimaginable, the exiles have a favorite T shirt: it portrays the Malecon after Castro's fall as an endless vista of shiny, neon-lighted fast-food joints. The crumbling, once graceful seafront is still a long way from that plastic vision. Potuombo gestures at the crowd in his cafe, who are placidly consuming not Whoppers or Big Macs but the tepid brown soda that is the sole item on his depleted menu. "These are the real Cubans," he proclaims. "These are the people who will defend the revolution despite the limitations of the moment...
With Andy's help, the hip crowd of the '70s became just a cocaine-addled update on the old cafe society. The entourage admitted through the velvet rope at Studio 54 would be Liza and Halston and Bianca, and so on down to -- why not? -- Roy Cohn, the aide-de-camp of Senator Joe McCarthy and arguably Satan's first lieutenant. The meaning of hip was reconfigured to embrace the greed and swank and snobbery it used to reject. It would be summed up later in a song by Billy Joel...
...cover photographs reveals Shaham & Sollscher in a blue-washed cafe--a rather clumsy allusion to Vincent Youman's "Tea for Two"--with their respective instruments, complemented by coffee cups and an open score. But, the intimacy which looks rather staged on cover appears very convincingly in the actual playing. Deutsche Grammophon's sound engineers have even gone so far as to use a new 21 bit recording technique dubbed...