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...train ride in which Hellman (Fonda) smuggles $50,000 to Julia (Redgrave) and her antifascist comrades in Berlin. Director Zinnemann (High Noon) brings a Graham Greenesque sense of intrigue to this adventure, and he sets up a powerful climactic scene. When Hellman finally arrives in a smoky Berlin cafe to deliver the loot, her terse, hurried conversation with Julia sums up everything the film has been trying to say about friendship, political commitment and growing up. Simultaneously the two star performances crystallize. Fonda's Hellman, who has previously come across as a rather abrasive ninny, suddenly becomes a figure...

Author: /time Magazine | Title: Cinema: A Convoluted Memoir of the '30s | 10/10/1977 | See Source »

Lester Parker--1369 Club Soul Syndicate--The Club, 9:30-2:00 Stonu Yamashta--Jazz Workshop at 8:30 and 11 Shelly Isaacs Band--Michael's Pub Steve Veikley Jazz Quartet-- Tree of Life--Pooh's Pub Joe Venutl--Sandy's Chris Hogan--Sunflower Cafe B. Winlker--Last Hurrah Maggie Scott--Scotch and Sirloin Sue O'Claire and Essence--Airport Hilton...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What? Listings Calender: October 27-Number 2 | 10/6/1977 | See Source »

Lester Parker--1369 Club Soul Syndicate--The Club, 9:30-2:00 Dewey Redman Quartet--Jazz Workshop at 8:30, 10:30, and 12:30 Shelly Isaacs Band--Michael's Pub Steve Veikley Jazz Quartet--Ryles Tree of Life--Pooh's Pub Joe Venuti--Sandy's Chris Hogan--Sunflower Cafe B. Winlker--Last Hurrah Maggie Scott--Scotch and Sirloin Sue O'Claire and Essence--Airport Hilton...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What? Listings Calender: October 27-Number 2 | 10/6/1977 | See Source »

Grover Washington--Paul's Mall Ron Carter--Jazz Workshop at 8:30 and 11 Ictus--Zircon Napua Davoy Jazz Quartet--Ryles Scott Freed--Sunflower Cafe...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What? Listings Calender: October 27-Number 2 | 10/6/1977 | See Source »

...endure the endless fawning upon the monarchs of the cafe kingdom, there is some superlative photography. Candice Bergen, for example, has produced a haunting study of Joel Schumacher, who wrote the screenplays for Car Wash and is currently working on a film version of The Wiz. The accompanying interview, with Liz Smith, is in a seemingly unedited question-and-answer format that often rambles, full of generalities. In this case, however, writer and subject are friends of long standing so they have a rapport lacking in some of the other pieces. You may not agree with Schumacher's most profoundly...

Author: By Diana R. Laing, | Title: Trash | 9/27/1977 | See Source »

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