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Sirens wailed, fireworks burst in dazzling profusion, and coastal batteries boomed a 21-gun salute as a trim Brazilian cruiser steamed into Lisbon harbor. Aboard was Brazil's Joao Cafe Filho, President of a onetime Portuguese colony that became a nation 100 times as big and seven times as populous as the motherland. Met at dockside by figurehead President Francisco Higino Craveiro Lopes and Strongman Oliveira Salazar, Café Filho began his state visit by riding through downtown Lisbon in an open car, along flag-decorated streets jammed with smiling, cheering people. Torrents of confetti in the Brazilian national...

Author: /time Magazine | Title: BRAZIL: Visit to the Motherland | 5/9/1955 | See Source »

Latest-or latest versions-of the jokes being told over the cafe'tables or whispered across the work benches of Communist Europe, as gleaned by Radio Free Europe...

Author: /time Magazine | Title: COMMUNISTS: Secret Laughter | 4/4/1955 | See Source »

Musicians-as musicians-will little note nor long remember Columbia's LP Album No. ML 4975. It will neither change the hit-parade standings nor set hi-finatics atweeting and awoofing. For the most part Marlene Dietrich at the Cafe de Paris is little more than a collection of musical memories, taped directly from the floor amid the tinkle and clatter of a London nightclub performance almost a year ago, and sung, not always on key, by a middle-aged entertainer who has been around for some time. Yet, here, in the familiar laryngitic murmur of a voice...

Author: /time Magazine | Title: Music: The Magic Lingers | 4/4/1955 | See Source »

Profit-Sharing. In St. Louis, charged with passing four counterfeit $10 bills in the pay envelopes of his employees, Cafe Owner George de Filippo explained that he had found them in his cash register, knew they were phony but saw no reason why he should be stuck with them...

Author: /time Magazine | Title: Miscellany, Mar. 14, 1955 | 3/14/1955 | See Source »

Perhaps the most striking aspect of The Vagabond is the intentional shabbiness of its symbols: for love, Colette uses the dull-witted, cloddish Maxime; and for work and art, the rushing, irregular life of a cafe dancer. Renee faces no final decision, because in Colette's world there is none. Her characters drift on the sea of their instincts, and each decisive action shifts only a little the burden of their unfulfilled lives. In the end, Renee writes to Maxime: "Seek far from me that youth, that fresh, unspoilt beauty, that faith in the future and yourself, in a word...

Author: By Edmund H. Harvey, | Title: Subjective Autobiography: The Vagabond | 2/25/1955 | See Source »

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