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...sinner has not. As Jonah and his shipmates are buffeted by the tempest, the wind seems to blow from the page, and the great fish that consumes him soon turns from a monster into a seaborne aquarium. One half expects to see a sign on its vaulted rib cage warning OCCUPANCY BY MORE THAN 1,000 FISH AND 1 PROPHET IS UNLAWFUL AND DANGEROUS. Despite his whimsy, Illustrator-Narrator Hutton violates neither religious nor literary scruples. Happy endings, after all, are not exclusive to fairy tales; even the Bible has them, now and again...

Author: /time Magazine | Title: Books: Small Wonders For the Young | 12/17/1984 | See Source »

...fine cast helps considerably, Clov, played by John Bottoms, embodies the desperation of a man at the end of his rope, he hisses at Hamm like a confused animal trapped in a cage. Rodney Hudson is superb as Nagg. He is a frightened and helpless old man without the innocent irrationality that makes the similar state of infancy bearable. When Nell dies, his face twists in heartbreaking agony as he sinks into his garbage...

Author: By John P. Wauck, | Title: Much Ado About Nothingness | 12/14/1984 | See Source »

Like "chargers" of old, who played with a cage surrounding the court to keep the ball in and the fans out, the Crimson battled in close quarters against the University of Maine, at Orono...

Author: By Jonathan Putnam, | Title: Maine Press Proves Too Much for Women Cagers | 12/10/1984 | See Source »

...Horrible stuff' was the term once applied by the artist Ben Shahn. "Abominably offensive," said the novelist Vladimir Nabokov. And Philip Glass: "The range of music is truly enormous-opera at the top, Muzak at the bottom." John Cage spoke of composing a piece especially for the tormentors, with no notes in it. "The first step in describing silence is to use silence itself," Cage explained. "Matter of fact, I thought of composing a piece like that. It would be very beautiful, and I would offer it to Muzak." Perhaps Cage had that in mind when he created...

Author: /time Magazine | Title: Music: Trapped in a Musical Elevator | 12/10/1984 | See Source »

There was a time in the not so distant past when a play dealing directly with homosexuality was box office poison. Today, Torch Song Trilogy continues in its third year on Broadway, while La Cage aux Folles (for which Fierstein wrote the book) plays to standing room audiences down the street. And so what is Fierstein trying to say in these works? It is not a political statement about homosexuality, nor it is an apology. The idea he expresses so eloquently is one of self-respect, of realizing one's worth and striving for what one desires and deserves...

Author: By Stuart A. Anfang, | Title: A Glowing Trio | 11/29/1984 | See Source »

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