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Word: caged (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...irrepressibly and forcefully peppered opposing netmen with a destructive machine-gun fusillade of goals and attempts, full and deadly, carrying the Crimson ice fortunes to wide and expansive successes, mounting attack after attack, coiling and recoiling with the relentless regularity of a blind and savage dog against an alien cage of restraint, whose cage was a 4 ft. by 6 ft. cubicle squatting at the end of an ice highway, hunched full of glove and stick and defending bulk in which sinew and muscle and the accouterments of a savage and irrepressible game warfare were dedicated to the sole purpose...

Author: By Peter A. Landry, | Title: Where Have All the Heroes Gone? | 9/1/1973 | See Source »

...suffering increasingly from the familiar affliction of the suddenly famous-a mix of narcissism, self-hatred and wretched insecurity. Everywhere she went she traveled in an impenetrable cage of loneliness...

Author: /time Magazine | Title: Music: Alone with the Blues | 8/27/1973 | See Source »

...artist as a uniquely gifted individual. Instead the dominant assumptions about art would be that it has nothing to say, art is of no consequence, art is play, art is everywhere and anything that can be tampered with or fetishized, everybody is an artist. "Why," asks John Cage, "is a truck in a music school more musical than a truck passing by in the street...

Author: By Emily Fisher, | Title: Lost in the Whitney Funhouse | 7/27/1973 | See Source »

...Cage's point is so logically descended from Dada, but it has been lost upon his public. However serious the aims of Cage and his colleagues (the Pop artists of the sixties, Happenings and Environmentalists) they were ignored as their art was readily assimilated by the public because of its novelty, because the new has come to mean the good...

Author: By Emily Fisher, | Title: Lost in the Whitney Funhouse | 7/27/1973 | See Source »

...sixties as a radical critic of culture, spokesperson for the New Sensibility. The New Sensibility praised form and damned content. It was against interpretation and for an anesthetic revolution founded on the non-literary arts of music, painting, film and architecture. In its pantheon were Jasper Johns and John Cage, Roland Barthes and Jean-Luc Godard, Buckminister Fuller and Alain Robbe-Grillet...

Author: By H. MICHAEL Levenson, | Title: The Avant-Garde and The Avant-Guardian | 7/27/1973 | See Source »

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