Word: caged
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Dates: during 2000-2009
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National Treasure is about a third-generation treasure hunter searching for the greatest treasure the world has ever known, ever. Nicholas Cage, who seems to have convinced himself that he’s a modern day Juan Ponce De Leon, runs around like an idiot, examining money like a McDonald’s cashier dubious about a customer paying for an item on the dollar menu with a $10 bill. At one point in the film, Cage’s sidekick, a first generation treasure hunter played by Justin Bartha—I know what you’re thinking...
Goalie Ali Boe, back in the cage after being pulled the previous day, and the entire defensive unit made great strides in shoring up the back line...
...below Quincy House, within the confines of chicken-wire and concrete, among amplifiers and pipes, approximately a dozen people convened to witness yet another Quincy Cage show...
...time the show ended, approximately 15 people stood in the Cage, most of whom seemed to be friends of the RPL. The number of audience members had hardly fluctuated throughout the night. While the show was not particularly ground-breaking in any way, there was a certain degree of musicality in the performances that should theoretically merit greater interest. Despite the strange moments of Thursday night, the lengthy set-up times and the ungodly heat of the Cage, the Collective still managed to present relatively good music for free. With a few slight logistical refinements, this performace space might attract...
...what’s going on with Paris Hilton? National Treasure is so formulaic that if Nicholas Cage asked hottie Abigail about hotel heiresses it would charge the film with an exciting postmodern meta-discourse (comparatively). But the film’s ho-hum shenanigans aren’t devoid of eye-opening sexual elements, particularly the masculinity crisis embodied in Cage’s ‘girly’ sidekick Riley. Throughout the film he whines and moans about all the danger Gates is getting him into, in between his moments of rocket scientist computer wizardry. Riley refers...