Word: caging
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Dates: during 1960-1969
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...criteria is authenticity and immediacy in regard to experience." Some way out of our present musical somnambula must be found. "The world," feels Mr. Kirchner, "needs shock treatment; this is the role of the avant-garde. It is sacrificial, self-immolating." The purpose of such men as John Cage and Pierre Boulez is to inter the paralyzing reputations of the masters, especially the twentieth-century masters who have become classics and therefore dead issues. The finest contemporary composers are struggling to form and sustain unservile metaphors of continuity and revolution. The avant-garde is an agent of wise exasperation seeking...
Bruce Hedendal and Charlie Ajootian are good bets for additional Harvard points. The meet record should also fall in the 35-pound weight throw, scheduled for 7:00 in Briggs Cage. Ajootian, one of the best weight men in Harvard history, is the heavy favorite, with Northeastern's Don Cybulski battling with Ed Nosal and Doug Griswold for the backup slots...
...surprisingly, Brown has been strongly influenced by John Cage, the father of aleatory, or "chance," music. But he no longer agrees with Cage's belief that random aberrations in a performance are as valid artistically as the composed parts. What Brown is after is a responsible, controlled and more human improvisatory collaboration between composer and performer. "This is music by choice, not chance," he says. "My music enlarges the potential for musicians to take a more creative part in the music; yet I am not interested in everybody just doing his thing. I didn't compose by chance...
...Degree of Respect. Rowe described his long internment on his return to the U.S. en route to his home in McAllen, Texas. During the last 14 months, he lived in a wooden roofed cage deep in the forest ("You sometimes question whether it's built for an animal or a human"). During the day, he was allowed to venture only 125 feet away from his "hooch," and spent most of his time cutting firewood, setting traps and snares for mice, snakes and wild animals that would spice up his daily diet of rice and fish. He tried to keep...
...Godard saw the end of the world as a vast traffic jam. Bergman's concept is less visual-and more chilling. His people never see history; like radiation, it destroys them without touching them. Jan and Eva become aliens in their own marriage. They rage against their cage and at each other. As Samuel Beckett puts it, "The mortal microcosm cannot forgive the relative immortality of the macrocosm. The whiskey bears a grudge against the decanter." Half from fear, half from the desire to have the child Jan cannot give her, Eva sleeps with a friend (Gunnar...