Word: caging
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Dates: during 1960-1969
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...dents to skip classes on Wednesday, but instructors are officially required to hold them, although each may reschedule the meeting of his course. After a speech by John Kenneth Galbraith, Paul M. Warburg Professor of Economics, at 9 a. m. Wednesday morning, B-School students will march from Cary Cage to Harvard Square...
...that he could not be heard. In Kassel, two anti-N.P.D. demonstrators were shot and wounded; the party claimed that it had no idea who the gunman was. To protect himself from flying eggs, tomatoes and rocks, Von Thadden speaks at open-air meetings from behind a glass cage, and a bulletproof Mercedes-Benz limousine whisks him from rally to rally...
...however, the camera a few feet above his head seems to lock him into his chair, between the curved table-top before him and the gleaming surface of a globe behind. While cracking an egg he whistles to his canary; hearing no answer, he rises and goes to the cage. His head fills half the frame; the cage, the other half. His landlady comes in, takes the dead bird, and saying "no more singing" throws it into a Franklin stove whose open door reveals a brilliant light within. Jannings returns to his breakfast, but between the camera (now further from...
...SCENE'S symbolic content is perfectly accessible. Such devices as the cage and the lamp, together with Sternberg's handling of depth and sets, set up a pleasant and very restricted environment out of which Jannings' character develops. But the same symbols have a deeper meaning which, through their integration into Sternberg's dramatic and visual scheme, establishes the pattern of the entire film. In this system the attraction of light is a crucial motivation of personal behavior, and Jannings' blindness to the globe behind him appears simultaneously with a restriction of depth that expresses the limitations of his moral...
...Among composers of the past, Hector Berlioz was perhaps the first to pay much attention to the symphonic battery of drums. Later on, Stravinsky and Bartok proved that percussionists could do more interesting things than simply thump out a basic rhythm. Nowadays such avant-gardists as Pierre Boulez, John Cage, Luciano Berio and Karl-heinz Stockhausen treat the percussionist as a performer with rights (and responsibilities) equal to any other soloist...