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Word: caging (lookup in dictionary) (lookup stats)
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Stern '66, director of the last week that the house Carey Cage and the school playing fields at times a week. In in Lincoln has use of a building, a a lake for nature swimming...

Author: NO WRITER ATTRIBUTED | Title: to Run Camp lum Children | 7/6/1965 | See Source »

...newly affluent New People of the English working class, Clegg collects butterflies in his off-hours until he wins $200,000 in the football pool and can suddenly indulge his wildest fancies. He buys a remote country house, converts its vaulted cellar into a more or less gilded cage, and kidnaps Miranda, a vivacious London art student whose beauty has enraptured him from afar. "He is an empty space designed as a human," his astonished captive confides to her diary, "slow, unimaginative, lifeless, like zinc white...

Author: /time Magazine | Title: Cinema: A House in the Country | 6/25/1965 | See Source »

Lumet's parallel between Harlem and the concentration camp creates the impact of the film. Nazemann is constantly seen behind the pawnbroker's cage dealing with his customers as through the prison fence. The cage also symbolizes his isolation, emphasized by Lumet's close-up shots of Nazemann locking himself in and out. Inside the cage he is the Nazi officer responding to human misery with utter callousness, the Jew playing persecutor. But when a destitute woman enters to sell her wedding ring, he cannot avoid his own memories, shown as flashbacks, of German soldiers tearing gold rings from...

Author: By Daniel J. Singal, | Title: The Pawnbroker | 6/16/1965 | See Source »

...together to virtually place the viewer inside the main character's skin, the film attains tragic proportions; if they do not, it degenerates into sensationalism. In The Pawnbroker the backdrop of the city creates a matrix which binds up the different devices and makes them effective. The pawnbroker's cage or the ugly apartment houses standing for the community achieve a near-symbolism, so that the viewer stops thinking in terms of reality and enters the special world of Nazemann...

Author: By Daniel J. Singal, | Title: The Pawnbroker | 6/16/1965 | See Source »

Weisman's technique in this skit, as in all of them, is clear and careful. His hands speak in economical, controlled movements, suggesting surprise as they flatten on the cage walls and horror as they push against them. His broad mouth and wide eyes go from smile to shock with none of the obvious self-satisfaction in a welldone trick. Though some of his comic material is childish and inane, Weisman's actions provoke our willing laughter, especially when he's playing in home ground, being the snoring student in lecture or the pretentious flamenco guitarist...

Author: By Gregory P. Pressman, | Title: Mime I | 5/3/1965 | See Source »

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