Word: cagney
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Dates: during 1930-1939
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...opener does its best to provide in the way of stalwart males and it needs must be said that it succeeds in this if in nothing else. The picture has already been reviewed but for those latecomers who missed it, let it be said that it has Jimmy Cagney's stacatto, Joan Blondell's blondness and Ruby Keeler's senseless simper. The plot means nothing. You can see the show and understand it if you drop in while waiting for the subway. If you like spectacles, extravagance in settings and the aforementioned galaxy of stars, there should be no complaint...
Metropolitan--"Footlight Parade." James Cagney, Ruby Keeler, Dick Powell, and Joan Blondell in a repitition of "Forty-Second Street...
...Parade, about a dunce director who has a hard time thinking up new routines, finds that his rival promptly steals them. The novelty in the backstage romance in Footlight Parade consists in having it occur not in the wings of a theatre hut in a cinema studio where James Cagney is the dance director, Joan Blondell his affectionate secretary, Ruby Keeler his star tap-dancer, Dick Powell his best juvenile, Guy Kibbee his fenag-ling partner. Philip Faversham, son of famed William Faversham who was a matinee idol 30 years ago, has a bit, his second cinema part...
...Hollywood was founded on his skill in handling the realism that has been cinema's most noteworthy development since talkies. Unsympathetic to drawing room comedy, Cinderella romance, mechanical spectacle or pure pornography, Producer Zanuck likes to deal lightheartedly with episodic scenarios about lively, colorful plebeians-with James Cagney, Edward G. Robinson, William Powell impersonating taxi-drivers, reporters, gamblers, shysters. When Zanuck left Warners, Producer Joe Schenck, who recently has been interested in horse racing at Agua Caliente, furnished Zanuck with cash to produce his pictures at United Artists' studio (like Samuel Goldwyn, Mary Pickford, Charles Chaplin, Douglas Fairbanks...
Picture Snatcher (Warner) is a vulgar but generally funny collection of black outs. They concern a young racketeer (James Cagney) who finds to his endless delight that he cannot be put in jail for stealing pictures for the tabloids. He also finds that his brother journalists are smart but no match for him. Smartest of them is a rowdy sob-sister (Alice White). When she flusters him, Cagney bluntly knocks her down. When a bereaved husband comes to shoot him he hides in the women's lavatory. When the daughter (Patricia Ellis) of a loud-mouthed Irish policeman (Robert...