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Scripters Daniel Fuchs and Isobel Lennart have added a minimum of embroidery to this story. As Snyder, James Cagney has his best role in years and serves it well, mounting to successive levels of exasperation with as much ease and artistry as Bix Beiderbecke ever displayed in reaching the high note on his cornet. Cameron Mitchell makes the luckless Alderman a consistent and believable hu man being as well as a clay pigeon. Those who remember the sexy serenity with which Ruth Etting handled such numbers as the title song, Everybody Loves My Baby, At Sundown, and It All Depends...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 6, 1955 | 6/6/1955 | See Source »

...Cover (Paramount) is Jimmy Cagney's 50th. movie, and he proves his durability in the very first reel by walking into a point-blank ambush and emerging with nothing more than a scraped forehead. Since the ambush was a mistake, the chastened townsfolk make Cagney their new sheriff, and he promotes his sidekick (John Derek), who was crippled by the posse, to be deputy. But Derek is the kind of fellow who nurses a grudge-first he helps Badman Ernest Borgnine to escape, then he betrays Cagney, shoots him in the back and leaves him to drown...

Author: /time Magazine | Title: Cinema: Three Up, Three Down | 5/30/1955 | See Source »

...this time Jimmy is beginning to think that Derek can't be trusted. After the Comanches massacre most of the badmen for him, Cagney tracks Derek and Borgnine to their lair, disposes of both (with some last-minute help from Derek, who has had still another change of heart), and returns to Viveca Lindfors and a happy ending...

Author: /time Magazine | Title: Cinema: Three Up, Three Down | 5/30/1955 | See Source »

Friday with Garroway (Fri. 8:30 p.m., NBC). With Johnny Mercer, James Cagney...

Author: /time Magazine | Title: TELEVISION: Program Preview, Apr. 18, 1955 | 4/18/1955 | See Source »

British Actor Leonard Sachs, who, like Wesley, stands 5 ft. 2 in., bears an astonishing likeness to the many preserved portraits of his hero. But hero worship creeps in, and Evangelist Wesley is too often depicted as an 18th century version of Tough Guy James Cagney-deflating the dandies of Bath, puncturing the pomposities of the Anglican Bishop of Bristol, brushing off a highwayman, slicing through a murderous mob of Cornish fisherfolk. In general, the film lacks the dramatic effectiveness of the Lutherans' successful Martin Luther (TIME, Sept. 14), but it should be a popular and acceptable program piece...

Author: /time Magazine | Title: Religion: Founder on Film | 5/3/1954 | See Source »

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