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Genius is rare; genius blessed with longevity is miraculous. That Pablo Picasso (1881-1973) made the most of these twin gifts is attested to in his sketchbooks, which cover 73 of his 92 years, a span that transformed our way of seeing. Je Suis le Cahier: The Sketchbooks of Picasso (Atlantic Monthly Press; 347 pages; $65) documents that revolution of vision through the artist's eyes. The book reproduces six sketchbooks and includes selections from 36 others, each illustrating the development of images and styles that dominated the painter's major periods. Scholars should find this work indispensable; art lovers...

Author: /time Magazine | Title: Pleasures for the Holidays | 1/26/2007 | See Source »

...burden of the debt crisis." Other foreign moneymen welcomed Citicorp's action because it might mean that all U.S. banks will start treating Third World debt under the same terms as Japanese, West German and Swiss banks, which have already established substantial loss reserves. A "spectacular maneuver," said Michel Cahier, a commentator for La Tribune de l'Economie, a Paris financial daily. "American financial circles appear to be ready to stop fooling themselves and the rest of the world...

Author: /time Magazine | Title: Citicorp Breaks Ranks | 6/1/1987 | See Source »

...viewpoint, of course, the opposite is true. Citicorp feels that continuing to view the debt problem as manageable through an endless series of interim solutions is by far the most dangerous way to handle his bank's, and perhaps the world's, economic situation. As Paris Financial Journalist Cahier wrote approvingly last week, "In the kingdom of numbers, sincerity is always rewarded." Citicorp clearly wants its rewards sooner rather than later...

Author: /time Magazine | Title: Citicorp Breaks Ranks | 6/1/1987 | See Source »

Bunuel's involvement is film stemmed from his work as a critic for Cahier's effort and several Spanish publications. Whether he saw films to write reviews or wrote reviews in order to support his celluloid habit of as many as three films a day is unclear. Fritz Lang's "Destiny," he says, "clarified my life and my vision of the world." One result of that clarification was that he saw that he wanted to make films. He started as an extra and errand boy for Jean Epstein during the filming of "Mauprat," then spent six months in Hollywood hanging...

Author: By Sophie A. Volpp, | Title: No Answers | 12/6/1983 | See Source »

...iron rule, Lauritz Melchior spent eight years before he rated a contract (in Copenhagen's Royal Opera) and a regular salary-1,000 kroner (about $200) a year. While he was still singing baritone roles at the Royal Opera, the eminent, U. S.-born vocal expert, Mme Charles Cahier, heard him, and wrote the director of the opera that Melchior was really no baritone but a tenor with the lid on. After he had practiced lifting the lid, he was allowed to sing his first tenor role: Tannhäuser...

Author: /time Magazine | Title: Music: Great Dane | 1/22/1940 | See Source »

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