Word: cailliet
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Dates: during 1930-1939
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...BoyardsHalvorsen *Overture to "Semiramide" Rossini *Waltzes, "Where the Citrons Bloom" Strauss *"The Animals' Carnival," Grand Zoological Fantasia Saint-Saens Pianos: J. M. Sanroma - Leo Litwin *Ballet Suite, "Sylvia" Delibes *Kammenei Ostrov Rubinstein *Invitation to the Dance Weber-Berliez *"The Way You Look Tonight" Kern (Symphonic Paraphrase by L. Cailliet) *Sixth Hungarian Dance Brahms *Selections checked (*) are available on records at Briggs & Briggs Music Store, Harvard Square...
When Conductor Eugene Ormandy last week led the Philadelphia Orchestra through its final Manhattan performance of the season, listeners were pleasantly startled at Lucien Cailliet's transcription of a 17th Century passacaglia by Dietrich Buxtehude. Through its 28 melodic evolutions they could unmistakably recognize the theme Bach had later expanded and used in his great Passacaglia in C Minor.* But few in the audience had ever heard more about Buxtehude than his odd name. Important as is his niche in the history of music, Dietrich Buxtehude (1637-1707) was a great organist whose works are rarely played...
Young Eugene Ormandy walked briskly into the Philadelphia limelight last week, hopped onto the Stokowski throne and in a determined, businesslike manner commanded attention for two Bach transcriptions, arranged by Lucien Cailliet, a jolly bespectacled Frenchman, known by Philadelphians as one of their regular clarinetists. After Cailliet's Bach came Mozart's Fourth Violin Concerto with Fritz Kreisler as soloist, forerunning such headliners as Josef Hofmann, Sergei Rachmaninoff, Kirsten Flagstad, Vladimir Horowitz, Mischa Levitzki, Jascha Heifetz, Lawrence Tibbett, Artur Schnabel, all sure bait for customers not altogether sure of a youthful new conductor. Fritz Kreisler's spell...