Word: caine
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...microphotograph surgically implanted in his body, he finds the address of a bank in Zurich, an account that yields him more than $5 million, and a name: Jason Charles Bourne. As bloody memories and deadly skills return, Bourne discovers that he is a trained and instinctive killer, code-named Cain, quite possibly the match of Carlos...
Cruising is unsatisfying as drama and disturbing as a sexual statement. Several brilliant moments of cinematic tension get lost in a rush of misguided, Puritan moralism. Pacino's shave in his final sequence connotes the removal of Cain's permanent scar or Hester Prynne's letter, as if homosexuality were a blight on American society that must be removed through violence. Friedkin claims Cruising "is not an indictment of the homosexual community," yet tacked-on words cannot temper his dangerously powerful images. There are real demons to exorcise--beyond Christopher...
Lebow doesn't bother to find a profoundly all-inclusive theory for his role; he brings a versatile, booming voice, a carefully controlled set of mannerisms, and a simple human magnetism to the stage, and struggles to maintain them in the face of Cain's slings and arrows. His personal triumph stands far above the "general woe" of the rest of the production...
Lear's entourage--Martha Jussaume's Cordelia, Tom Dinger's Fool, Richard McElvain's Kent--clearly got the word from Cain to "be loving," to be tender, to fit his interpretation of the play in the program notes. They hug each other a lot, hold each other's arms, "are supportive," as the psychologists say; they form pieta-like tableaux of familial affection. There's little wrong with that, and it might make a valid production of Lear someday, but all the actors--not just the nuclear family--would have to work towards realizing it, and the director would have...
...group of performers, and at least one actor of stature and brilliance who can use a play like Lear as a personal vehicle, it seems a cheat to squander the resources on half-baked ideas, directorial interpretations that aren't followed through, and "innovations" that clash with each other. Cain should either have moved in and molded a Lear to his liking, or sat back and let Lebow carry the evening...