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Word: cains (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...passive label. Some names, weirdly enough, manage to penetrate to the core of the named, achieving a profound fusion, becoming inextricable. Certain names become so incorporated with the acts or traits or destinies of their owners that they pop into the popular vocabulary as common nouns and adjectives: Cain, Jeremiah, Job (the Bible is a storehouse of such), Machiavelli, De Sade, McCarthy. The same peculiar joining of character and name occurs all the time, even in the fictive world. Romeo is as inseparable from the youth so named as he was from Juliet, and no actress could credibly play...

Author: /time Magazine | Title: Time Essay: The Game of the Name | 8/14/1978 | See Source »

...power of this song is offset by two awful turkeys, "Adam Raised a Cain" and "Streets of Fire." Almost identical, they throb like a migraine with leaden, new-wave-inspired beats while Springsteen growls incoherently and lays down overamplified guitar riffs. These songs seem to be his answer to the anger of punk rock, but they sound more like annoying filler material...

Author: By Joseph B. White, | Title: Erratic Bruce | 7/11/1978 | See Source »

...believe that the prohibition against blacks as priests goes back as far as the sons of Adam. It is taught in the Book of Abraham, one of three scriptures revealed to Prophet Joseph Smith and accepted as holy writ only by Mormons. According to the key verse, descendants of Cain (identified elsewhere in Mormon scripture as blacks) are "cursed as pertaining to the priesthood." Because of this the racial bar could only be lifted by a "revelation" direct from God. The church leaders said they had spent many hours in the Upper Room of the Salt Lake City Temple. Eventually...

Author: /time Magazine | Title: Revelation: Revelation | 6/19/1978 | See Source »

...shortest cut and an introduction to what's to come. A driving middle-tempo rocker with drums mixed way up and biting guitar riffs, it's an ironic salute to a friend's new success. The message is clear--"Deal with it if you can." Blame It On Cain" shows a strong persecution complex ("Blame it on Cain, don't blame it on me..."); "Sneaky Feelings" is a bouncy, silly tune about paranoia and screwed-up human emotions; "Pay It Back" is about vengeance; "(Everything Means) Less Than Zero" speaks for itself...

Author: By Bill Barol, | Title: Rock and Roll Never Forgives | 11/21/1977 | See Source »

DIED. James M. Cain, 85, author (Double Indemnity, The Postman Always Rings Twice, Mildred Pierce) known for stark portrayals of violence and sexual betrayal; of a heart attack; in University Park, Md. After a stint as an essayist for H.L Mencken's American Mercury, Cain moved to Hollywood. Although he failed as a scenarist, his crime stories and novels won critical acclaim for his portrayal of what Cain called "the dreadful, the impious, the shame of God." His adrenal, brooding style influenced later writers, including Albert Camus...

Author: /time Magazine | Title: Milestones, Nov. 7, 1977 | 11/7/1977 | See Source »

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