Search Details

Word: cakewalking (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

...There is a momentary pause while water and carbon monoxide combine to form methyl alcohol. As the synthesis proceeds the music turns into a syncopated Cakewalk, the dance of ethyl alcohol. . . . The atoms hesitate, swaying and staggering about, intoxicated by the motions they have discovered. . . . The chemist awakens and rushes to the centre of the stage...

Author: /time Magazine | Title: Science: CHEMICAL BALLET | 4/17/1939 | See Source »

...what The Mikado loses on the roundabouts it never quite makes up on the swing. The audience got what it came for only when the Three Little Maids from School strutted what they had learned there, when the Mikado (Edward Fraction) bust out into a cakewalk, when the flowers that bloomed in the spring gave way to a jamboree that had nothing to do with the case, but proved mighty, mighty tra-la. The Federal Theatre boldly moved The Mikado from Japan to the South Seas. It should have been bolder still and moved it, shag and shaggage, to Harlem...

Author: /time Magazine | Title: The Theatre: Mika-deo-do | 3/13/1939 | See Source »

Ever since childhood trips to the U. S. acquainted him with the cakewalk and minstrel shows, German-born Choreographer Eugene von Grona has wanted to bring Harlem and the ballet together. While dancing and directing ballets at Roxy's Theatre in 1935, he explored upper Manhattan, dived into nightclubs. He found their dancers all too light, too sophisticated. "I want them black, black, all Negro," said von Grona. Samuel ("Roxy") Rothafel agreed, said "the blacker the better." Von Grona advertised, offering scholarships, and got hundreds of applications. He picked 20 of the blackest applicants and started to rehearse...

Author: /time Magazine | Title: Music: Black, Black | 11/29/1937 | See Source »

...Gustav Strube) *"Samson and Delilah," Fantasia Saint-Saens (Guest conductor--Clement Lenom) "Five Decades" (Hans Wiener Dancers with Orchestra) First Decade, 1885-1895, The immortal Strauss waltzes sweep around the world. *Waltzes from "Thousand and One Nights" Johann Strauss Second Decade, 1895-1905. Ragtime makes its bid for popularity Cakewalk, "At a Georgia Camp Meeting" Lee Terny Third Decade, 1905-1915. Importation of South American rhythms. *Tango, "El Choclo" Villolodo Fourth Decade, 1915-1925. Dance of the Allied Nations. Fifth Decade, 1925-1935. Modern sophistication. *"The Continental" Conrad Tuesday Evening, May 28 Entrance of the Boyards Halvorsen *Overture to "Oberon...

Author: NO WRITER ATTRIBUTED | Title: AT THE POPS | 5/27/1935 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next