Word: cakewalking
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Dates: during 1940-1949
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...himself. At rehearsal with the NBC Symphony Orchestra, he seemed to be having the time of his life. Don Gillis' new Symphony for Fun was the kind of thing the maestro could let himself go on. On the podium, he swayed, sang, all but strutted a cakewalk. Once the Toscanini temper flared up-when the xylophonist floundered over a particularly tricky passage. In the studio control room, Composer Gillis watched the struggling xylophonist, whispered to a companion: "Poor guy. Doesn't he realize that no one could possibly play that passage? Even I know that...
...bright side of St. Louis Woman is its musicomedy side. The show's only real dance number, a spanking cakewalk contest, has style and dash. The show's only real comic, Nightclub Singer Pearl Bailey, has the lumbering slink and lusty humor to turn two sex-salted ditties, Legalize My Name and A Woman's Prerogative into near showstoppers. The show's boisterous finale, with a frenzied crowd perched on rooftops and stepladders for a sneak-view of Augie's big race, has freshness, bounce. Lemuel Ayers's sets and costumes have musicomedy splash...
...mere tableau for short flights in the empyrean of genuine domestic poetry. These triumphs are creditable mainly to the intensity and grace of Margaret O'Brien and to the ability of Director Minelli & Co. to get the best out of her. Her song (Drunk Last Night) and her cakewalk, done in a nightgown at a grown-up party, are entrancing little acts. Her self-terrified Halloween adventures, richly set against firelight, dark streets and the rusty confabulations of fallen leaves, bring this section of the film very near the first-rate. To the degree that this exciting little episode...
...hand was something else. I think we can all remember when we have to run for a train with a bag weighing something like that. Well, running with a tough bunch of Commandos or Rangers makes running for a train seem like a cakewalk. When the troops go past you and on out ahead like so many gazelles you suddenly find yourself very alone and without much to record...
...later lectures the professor promised to discourse on the cakewalk, ragtime, black jazz, orchestral boogie-woogie, now & then with the collaboration of such great swingsters as Benny Goodman, Louis Armstrong, Artie Shaw, W. C. Handy...