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...Roberto Calasso??s first work translated into English, the brilliant Marriage of Cadmus and Harmony, saw him marking out his territory as somewhere between the literary anthropology of Robert Graves’ classic The White Goddess and the mythology-blender of Joseph Campbell’s Hero with a Thousand Faces. The Calasso of Literature and the Gods is a little closer to Goddess than Hero, as he attempts to trace through all of Western literature, from Homer to Nabokov, a phenomenon that he defines called “absolute literature.” Absolute literature is literature...

Author: By Matthew Callahan, CRIMSON STAFF WRITER | Title: Divine Inspiration: Absolute Literatre and the Soul of the Artist | 4/13/2001 | See Source »

...different versions of the myths. While it is a great read that draws its power from a very genuine sense of awe and wonder, I don’t think anyone would mistake it for an accurate version of Greek mythology. It’s more like Calasso??s personal poetic riff on symbols established by Greek culture. Considering the number of local variations and cultural imports contained in Greek mythology, it doesn’t make much sense to treat it as a monolithic structure that can be interpreted as a coherent whole. Still, it was easier...

Author: By Matthew Callahan, CRIMSON STAFF WRITER | Title: Divine Inspiration: Absolute Literatre and the Soul of the Artist | 4/13/2001 | See Source »

...Musings of a Serial Killer,” and “Meters Are the Cattle of the Gods” are all chapters, and their content is almost as unrelated as their headings). The only thing unifying the loose strands seems to be Calasso??s attempt to codify why he likes certain authors better than others. I don’t generally agree with H. L. Mencken’s statement that “criticism is prejudice made plausible,” but I do agree with it here. Calasso dismisses modernism, Mallarme?...

Author: By Matthew Callahan, CRIMSON STAFF WRITER | Title: Divine Inspiration: Absolute Literatre and the Soul of the Artist | 4/13/2001 | See Source »

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