Word: calders
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Dates: during 1960-1969
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Modern sculpture itself made it in evitable. Alexander Calder's vivid mo biles were meant to jiggle and gyrate under the leaves, George Rickey's feathery kinetics to stir in the breeze. To be sure, bronze and marble for centuries have gained in luster and patina from exposure to the weather, but a whole new range of materials, notably stain less steel and plastics, practically demand the reflective brilliance of sun shine. "Aluminum shines wonderfully against the greens of summer and the greys of winter," observes New York Collector Robert Scull...
...must be the only coal wharf in the world with a Grace Hartigan painting hanging inside the bunker house-along with canvases by Mark Rothko and Jack Youngerman and a Calder mobile. Used by its owner, New York's Governor Nelson Rockefeller, 59, as a private gallery during his vacations in Seal Harbor, Me., the old wharf has been thrown open to the public at $5 a head, proceeds to go to Maine's Republican Party. The tiny museum drew 900 visitors the first two days, including some indulgent socialites and many adamant Yankees who were pleased neither...
...Canadian sculptors to design $1,000,000 worth of sculpture to fill the central promenades and the Canadian and theme pavilions; Canadian industry kicked in with another $1,500,000 worth of commissions for more than 15 sculptors. All are Canadians except for the U.S.'s Alexander Calder, whose gigantic $200,000 stainless steel Man on the International Nickel Co. plaza greets Expo visitors as they get off the metro at the Place des Nations...
Taut Crossbow. The Calder is not an unmitigated success, partly because it was necessary to blunt its knifelike edges with heavy reinforcements to enable it to withstand the brisk winds that blow off the St. Lawrence. It suffers, like most Expo sculpture, from comparison with the bizarre silhouettes of the pavilions. Nonetheless, most fairgoers like Calder's Man. Murmured one miniskirted coed, gazing up at it last week: "I like the strength and the way it springs up. It has power, like a human being. Flowers spring up, but not in the same...
...tripled since 1957; gallery attendance has risen too. And Washington is also providing adults in the community with a stimulating alternative to the more orthodox St. Louis City Art Museum. Steinberg Hall plays host to three or four major traveling exhibitions a year, and one of them, an Alexander Calder exhibit, recently pulled 40,000 visitors -30,000 of them from off the campus...