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...gave me a book on Jean Dubuffet. I haven't looked at it much, except to notice that he left the price tag on it, and that the stuff shown inside looks very bizarre. At any rate, the Rolly Michaux gallery is showing gouaches, lithographs and aquatints by Dubuflet Calder and Miro (who I'd at least heard of before) through March 21. Calder is mostly known for his mobiles, copies of which have a tendancy to end up in banks. The gallery is at 125 Newbury St. in Boston...

Author: By Kathy Garrett, | Title: GALLERIES | 3/6/1975 | See Source »

...colossi." Mitigate is scarcely the word. The landscape sometimes annihilates the sculpture. That vast, wrinkled plane of sea fringed by blue pudding-stone bluffs is so much stronger than some of the works perched above it that objects like George Sugarman's 18-ft. Kite Castle, 1974, Alexander Calder's stabile or Robert Murray's pleated steel Windhover, 1969, become mere origami. They are gallery art, or at most museum-plaza art, scaled up and deprived of context...

Author: /time Magazine | Title: Art: Sea with Monuments | 9/2/1974 | See Source »

...matter: despite many trivial or self-parodying works, Miró is the last of the great stylists of early modern art, the most poetic and formally gifted of all the surrealists. His imagination, filled with juicy ironies and wry eroticism, has enriched generations of younger artists, including Pollock and Calder...

Author: /time Magazine | Title: Joan Mir | 7/1/1974 | See Source »

Screenplay by CALDER WILLINGHAM, JOANTEWKESBURYand ROBERT ALTMAN

Author: /time Magazine | Title: Cinema: Romance of the Road | 3/4/1974 | See Source »

...concentrations of theory and expression that have nourished the creative spirit for six decades. His juggled compositions antedate John Cage by a generation. His readymades anticipate the objects of Jasper Johns and Andy Warhol. Rauschenberg has dedicated works to Duchamp; such disparate artists as Georgia O'Keeffe, Alexander Calder and Yoko Ono have paid him tribute. Abstract Expressionism, Op art, even structures that destroy themselves have their roots in Duchamp's work and spirit...

Author: /time Magazine | Title: Art: Variations on an Enigma | 9/24/1973 | See Source »

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