Word: calders
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...Manhattan's Alexander Iolas Gallery, Bouché had on view a brilliant display of what his flickering, sweet-and-sour brush can do. Recent subjects: Truman Capote, Isak Dinesen, Anita Loos, Elsa Maxwell, Mrs. William Paley, the Duchess of Windsor, Lady Astor, the Duchess of Argyll and Alexander Calder...
Unfortunately, the show has many distressing disappointments. Calder, the grand Yankee sculptor whose works have for so long been characterized by their steady high quality, exhibits three mobiles but only one of them displays any of Calder's usual skill. The other two move only under strong provocation (I had to fan them with my notebook close by before they deigned to revolve) and when they finally do go into orbit, the objects don't describe a flexible and communicative arc in space...
Alexander Colder, 61, made sculpture move. Thirty-one years ago, in Paris, he started stringing cards of various colors on a coat-hanger form and let them dangle and twirl. Finally, Calder settled on free forms, flying leaflike on the ends of metal branches strung from wire. "Mobiles" were born, and their cheerful bobbing and spinning helped many an observer find and appreciate other motions in nature. To turn from a pond or a tree tossing in the wind to look at an outdoor Calder, and then back again, can be one of the most rewarding experiences in modern...
Alexander Calder's coat-hanger agglomerations of free forms twist and bob lazily on the breeze, exploit the possibilities for chance movement that reside in lightly balanced equilibriums. Lye's idea is to exploit instead the resiliences of high-tempered steels and flexible plastics. He raises simple abstract constructions of such materials on pedestals containing silent motor-vibrators. At a taped signal, the motors go into action, moving first slowly, then faster in a carefully calculated cycle, and the sculptures begin taking shape upon...
...number of sculptures which happen to accompany the Picasso at the Museum of Fine Arts make an interesting comparison. There is a Lehmbruck which is rather more elegant, more refined. There is a Brancusi fish which is more restrained. But there is also a Calder stabile which pursues much the same goals as the Picasso--a forceful statement of dramatic black shapes--and next to it the Picasso looks far more complete, more resolved, more dignified...