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...Strange One (Horizon; Columbia) is the film version of End As a Man, a study of extracurricular activities at a Southern military academy, published in 1947 by Novelist Calder Willingham (who attended The Citadel in 1940). The movie may stimulate some furious second-thinking in many readers who (like James T. Farrell) thought that Willingham had made "a permanent contribution to American literature." With most of its sensationally fleshy parts removed, the bare-bones plot stands revealed as no more-and no less-than a cleverly constructed thriller...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 22, 1957 | 4/22/1957 | See Source »

...admission is the author's: it was Calder Willingham himself who wrote the screenplay-which in fact is carved out of the Broadway play that Willingham carved out of his novel in 1953. The film begins at the climax of the play with a magnificent instance of what writers call a "blind lead." The moviegoer is asked to swallow a veritable camel of complex motive and movement, and to swallow it in the dark. For half an hour, while a massive and subtle scheme of revenge takes form before his eyes, the moviegoer has almost no idea what...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 22, 1957 | 4/22/1957 | See Source »

...playing and singing in the Magnificat were generally of high quality. The vocal soloists, Lee Calder, Dorothy Crawford, Sarah Jane Smith, Thomas Beveridge, and Karl Sorensen all gave musicianly readings of the arias, duet, and trio. At times there was not sufficient balance between soloist and orchestra, as often the result of too soft singing as too loud playing. Dorothy Crawford, in particular, could not seem to muster enough volume. There were also instances of imbalance between chorus and orchestra, caused mainly by the great army of tenors and basses that filled the stage...

Author: By Bertram Baldwin, | Title: Gabrieli and Bach | 4/16/1957 | See Source »

...While sculptors still chip away at stone with chisels, they also twist bits of wire, cement boulders together, and fire away at sheet metal with the blowtorch. In Manhattan last week the variety of sculpture on view ranged from the traditional figures of Rodin to the mobiles of Alexander Calder, and included a broad cross section of contemporary artists. Among them...

Author: /time Magazine | Title: Art: New Directions | 4/8/1957 | See Source »

...sketches his sculptural idea on paper before cutting up sheets of metal with shears and blowtorch, then welds the pieces together into the finished product. Over the years he has also learned to unite copper and iron, and graft brightly colored mosaics into his metal creations. An admirer of Calder's mobiles, Lardera says: "Where Calder really introduces movement, I try to give the impression of movement." His current show at Knoedler's is an exhibition of 22 welded pieces of sculpture whose geometric designs express the purely formal relationship of planes, lines and space plus their textural...

Author: /time Magazine | Title: Art: New Directions | 4/8/1957 | See Source »

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