Word: calegari
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Dates: during 1980-1989
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...complete their Mass inside a liberal Protestant sanctuary. Thereafter, Dignity plans to continue worshiping with priests who are willing to disregard Quinn's edict. Pointedly, a Christmas Eve Mass will be celebrated in a public school directly across the street from Quinn's office. Insists local Dignity spokesman Kevin Calegari: "We have never had church approval. We don't need...
...precise and sophisticated as Robbins about the appearance of his dances. This little romp takes place in a bright, white envelope. The performers wear Florence Klotz's body suits in black (Sean Lavery), white (Ib Andersen) or thrilling primary colors (red for Kyra Nichols, blue for Maria Calegari, lighter blue for the five additional men and pollen-yellow for the female corps of five). With marvelous physical mastery, they whirl and prance, graceful and playful as gods. There is neither poetry nor memory here, just an endless sunny...
Robbins lets his ballerinas down this time. He pinpointed Nichols' strong classicism and Calegari's dramatic flair early in their careers, but in Eight Lines, the two women have impersonal, difficult parts that seem to evaporate. The men are better served, Lavery with wonderfully weighted balances, Andersen with quicksilver darts and turns. This has been Andersen's best season since he arrived five years ago from the Royal Danish Ballet. He has moved through a wide range of repertory looking very much at home yet utterly distinctive: elegant, slightly exotic, confidently musical. As usual Robbins has chosen his ensemble well...
...first orchestral flourish, the corps strikes a series of sassy poses, which melt away at Maria Calegari's bluesy, ruminative entrance. During an extended first-movement pas de deux, Kistler and Christopher d'Amboise follow the music's every twist and unexpected turn, illustrating its ripples with flowing figurations of their own. The third movement's bold, thrusting opening is similarly reflected in the dance, which includes some rapid-fire footwork for D'Amboise inspired by the rat-a-tat-tat of the piano. Paradoxically, Robbins is most, and least, successful with his extended bagatelle...