Word: calf
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...Kinnear's Don is so wide-eyed in his early naivete, he might be a calf sauntering unawares toward the stun gun; once he sees the ugly light, he disappears from the film. The teenage Amber (Ashley Johnson), who grows from a Mickey's countergirl to an animal-rights activist, is just another couple of chapter headings for the charnel issues being raised. Same with Sylvia (Maria Full of Grace's Catalina Sandino Moreno), one of the horribly exploited immigrants. Even someone (like me) who might agree with every political point in the film will get exasperated with the obviousness...
...Almost everything but the mannequins themselves seemed to have come off a ranch. Ponyskin and calf were favorites. Designer John Weitz cut a pair of pants out of saddle leather, lined a coat of the same fabric with a horse blanket. Adele Simpson put some of her models in outfits with matching boots, either knee- or ankle-height, all high-heeled. No one did anything with an armadillo. The hit of the week, as much for his hot running commentary as for his clothes, was Oleg Cassini. NATTY IN A NAVY BLUE, NIPPED-IN-WAISTED SUIT, CASSINI PEPPERED HIS COLLECTION...
Pollan divides our food sources into four categories. One is industrial, meaning giant agribusiness. Then there are the two kinds of organic, large and small scale. Finally there's anything hunted and foraged. He goes on an adventure down each food chain, fattening a beef calf for market or following the path of industrial corn all around the country. Each trip ends in a meal made of foods from that category...
...define him. In a region that Dorin refers to as “more closely associated with hockey and cowboys than with great theatre,” his interest in acting set him apart. Dorin jokes that “since I proved a total failure at skating and calf-roping, I took up drama.”So rather than quit theatre altogether, Dorin became involved in its production side. Benjamin J. Toff ’05, who was a Crimson Editorial Chair, was directing Pinter’s ‘Betrayal,” and asked...
...define him. In a region that Dorin refers to as “more closely associated with hockey and cowboys than with great theatre,” his interest in acting set him apart. Dorin jokes that “since I proved a total failure at skating and calf-roping, I took up drama.” So rather than quit theatre altogether, Dorin became involved in its production side. Benjamin J. Toff ’05, who was a Crimson Editorial Chair, was directing Pinter’s ‘Betrayal,” and asked...