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...answer, as interpreted by actors such as Paul Scofield and the late Louis Calhern, is that the seeds of madness have always lain dormant in Lear, ready at the slightest pretext to sprout. But Carnovsky has a more mordant and, in many ways, a more tragic view. Lear, he contends, is everyman; his disasters are everyman's and the tragedy in Shakespeare's eye "is not in Lear himself, but in life." When Carnovsky's Lear, reeling like a wounded animal, howls forth

Author: /time Magazine | Title: Actors: Everyman's Disasters | 8/16/1963 | See Source »

Died. Louis Calhern (real name: Carl Henry Vogt), 61, tall (6 ft. 3 in.), topflight. Brooklyn-born character actor of stage (King Lear) and screen (The Magnificent Yankee, Julius Caesar); of a heart attack, while on location with the M-G-M company of The Teahouse of the August Moon; in Nara, Japan...

Author: /time Magazine | Title: Milestones, may 21, 1956 | 5/21/1956 | See Source »

...Jaffe's role as the cool and precise master-mind of a jewel robbery is well-conceived. Jaffe is not shallow; he learns that an old man must not think about young girls, and seems quite willing to accept this sage ethic. Louis Calhern's part involves an early and unlikely double-cross from which, as far as the story goes, he never recovers. But he, too, sees his errors, commits suicide, and the Witches are all happy again. playing at being Calhern's moll, a young starlet named Marilyn Monroe in her first performance reaches the peak...

Author: By G. ROBERT Wakefield, | Title: The Asphalt Jungle | 2/9/1956 | See Source »

...play has its moments. But besides going all around the mulberry bush, it offers too much routine sentiment and commonplace writing. The evening's one great asset is Louis Calhern's fine playing of the tangy, once powerful, still dignified...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Oct. 17, 1955 | 10/17/1955 | See Source »

Once Micah has snatched his night of love with Lana, Director Richard Thorpe winds things up with the required doses of remorse, retribution and forgiveness. Lana gets burned up-literally, Calhern gets a knife in the throat, and Micah contentedly trades the fleshpots of Damascus for an entree of veal back home...

Author: /time Magazine | Title: Cinema: The New Pictures, may 23, 1955 | 5/23/1955 | See Source »

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