Word: caliban
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Dates: during 1990-1999
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...character of Caliban (Jack Willis) also goes against convention. Instead of a quick-tempered, bestial brute, Daniels casts Caliban as a calm, wry cynic. He thus lends a shrewd, cynical edge to lines usually spoken in anger or resentment: "You taught me language; and my profit on't is, I know how to curse; the red plague rid you for learning me your language...
Costume designer Gabriel Berry also combines the mysterious with the familiar by juxtaposing the Milanese court's clothing, based on the clothing of seventeenth-century European aristocrats, with Prospero's shaman costume. Ariel and Caliban, dressed and body-painted like native islanders, also contrast effectively with the conservatively outfitted Milanese. The butler Stephano (Charles Levin) and the jester Trinculo (Thomas Derrah) who boast more colorful costumes, go through several changes-including some cross-dressing-after they discover a glistering wardrobe...
...betrayed him are near the shore of his island, he sends a storm to wreck their ship and bring them all onto the shore. As he plans revenge, oversees the engagement of his daughter Miranda (Jessalyn Gilsig) to Prince Ferdinand of Naples (Scott Ripley) and foils Caliban's plot against his life, Freeman evokes every doubt, conviction and emotion Prospero experiences. He is temperamental and harsh with his spirit-servant Ariel, kind but strict toward Caliban and a little amazed by his own decision to forgive his betrayers and give up his powers. In the midst of the fantastic world...
...first time police officers went on trial for beating Rodney King, Los Angeles looked at itself in the mirror and saw Caliban. Not everyone recognized the same monster. Some saw racist authority and biased justice. Some saw a lawless citizen and mob madness. But for almost everyone, inside and outside the smoking city, the trial became a symbolic test of national values -- something that trials, with their focus on factual specifics and winner-take-all outcomes, are not constructed to be. The acquittals were so shocking to a nation mesmerized by a videotape, and so achingly rejected in riot...
...occasional redeeming factor interrupted the monotone of bad direction. The energy of the storm scene, and the agonized crawling to evoke the landing on the island both impressed with their improvisational power and dynamism. The comic interchange between Caliban, Stephano and Trincula sometimes rose above cliche, with original blocking and choreography...